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                <text>Debra discusses her experiences as a lesbian.  She talks about her first lesbian relationship when she was 12, how she was married for one day, how her mother knew something was different about her, and how her sister figured out she was a lesbian because she was only married for one day.&#13;
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Madeline Davis (Interviewer)</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Additionally, Dyke TV had a mission to provide video production training and conducted regular workshops to enable women to tell their stories through their own means. This community oriented attitude fomented widespread contributions about lesbian issues across the United States and abroad.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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Mary Patierno [Executive Producer]&#13;
Ana Maria Simo [Executive Producer]</text>
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                <text>Copyright Dyke TV: Linda Chapman, Mary Patierno, Ana Maria Simo. Tapes and digital files held by the Lesbian Herstory Archives. Tapes reproduced with permission from the copyright holders.</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Dolores+Bargowski"&gt;Dolores Bargowski&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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                  <text>Lisa Cowan</text>
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                <text>Interviewee discusses the statistics of child sexual assault, and how they are not reported accurately. They claim that girls face more assault than boys, but much of it goes unreported. Conversation circles around parental assault, parental protection, and social services. The host and interviewer talk about the role of the patriarchy, victim denial, abuse, and the need for child abuse education for children. They advocate for child’s rights, and children’s need for peer relationships.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Barb</text>
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                <text>00:37:49</text>
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              <name>Title</name>
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                  <text>Feminist Radio Network, circa 1974-1978</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Gearheart"&gt;Sally Gearhart&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=kayla+taylor"&gt;Kayla Taylor&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Susan+Moore"&gt;Susan Moore&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Alice+Walker"&gt;Alice Walker&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Grace+Paley"&gt;Grace Paley&lt;/a&gt;</text>
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                <elementText elementTextId="55633">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Rita+Mae+Brown"&gt;Rita Mae Brown&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Karen+Kollias"&gt;Karen Kollias&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Dolores+Bargowski"&gt;Dolores Bargowski&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Beverly+Fisher"&gt;Beverly Fisher&lt;/a&gt;</text>
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              <description>An account of the resource</description>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Feminist Radio Network (FRN) arose out of the WGTB collective &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/112"&gt;Radio Free Women&lt;/a&gt; in 1974 amidst alienating conditions at the Georgetown University radio station. As an independent radio network, FRN sought a wider audience and distributed feminist audiotapes nationally.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection contains a compilation of episodes from the Feminist Radio Network digitized by students at Pratt Institute’s Library and Information Science Program. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
Source: Alexa Freeman et. al. (1976). &lt;a href="https://jstor.org/stable/community.28042846"&gt;Quest: A Feminist Quarterly, 3(2)&lt;/a&gt;.</text>
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              <description>An entity primarily responsible for making the resource</description>
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                  <text>Lisa Cowan</text>
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                  <text>1974-1978</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Lisa Cowan Audio Collection&lt;/a&gt;</text>
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                  <text>English</text>
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            <description>A name given to the resource</description>
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                <text>Discussion on Waitressing</text>
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            <description>An account of the resource</description>
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                <text>Recording starts with an introduction from the Feminist Radio Network, with female vocalizing, singing, and performing. The recording then begins to talk about women in the food service industry, and the statistics of how many women are waitresses. Upon interviewing a waitress, the conversation moves towards the low wages, and need for unionization in waitressing, since there is such a reliance on tips. Segueing through empowering music, the discussion shifts to women’s speeches, performances and testimonies on women’s liberation. The recording then moves on to a panel with Maxine Kumin, Grace Paley, and Alice Walker, discussing their thoughts on women’s writing.</text>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="55996">
                <text>Feminist Radio Network</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>n/d</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="55998">
                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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              <elementText elementTextId="56001">
                <text>1/4 inch audio tape</text>
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            <description/>
            <elementTextContainer>
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                <text>WAV</text>
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            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
            <elementTextContainer>
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                <text>00:36:10</text>
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        <name>Alice Walker</name>
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        <name>Class</name>
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        <name>Grace Paley</name>
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      <tag tagId="617">
        <name>Maxine Kumin</name>
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      <tag tagId="361">
        <name>Unions</name>
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      <tag tagId="549">
        <name>Working class</name>
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            <element elementId="50">
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                  <text>WBAI Radio Programs, circa 1970s</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>Disquieting Muses and Women on Trial:&#13;
The Forbidden Texts of the Three Marias</text>
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            <name>Description</name>
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                <text>For this episode of &lt;span&gt;&lt;em&gt;All Night Sunday with the Radio On&lt;/em&gt;, Suzan &lt;/span&gt;Shown interviews the cast and creator of &lt;em&gt;Disquieting Muses: A Response to the Suicides of Women Artists&lt;/em&gt;, discussing the feeling of obligation to find a man, get married, and otherwise fulfill the role of what a woman is supposed to be.&lt;br /&gt;&lt;br /&gt;Episode includes a reading of an untitled poem by Marilyn Monroe. Features a recording of &lt;em&gt;Women on Trial: The Forbidden Texts of the Three Marias&lt;/em&gt;, a one-night only performance about the case of three women authors who wrote against Portugal's dictatorship and were subsequently put on trial.</text>
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                <text>Lesbian radio</text>
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                <text>Performance art</text>
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                <text>Patriarchy</text>
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                <text>Gender role stereotypes</text>
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                <text>WBAI radio</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Pacifica Radio Archives</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Audio Recording; Radio talk shows</text>
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        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
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            <name>Series Title</name>
            <description>If applicable, the larger series to which the episode or piece contributed.</description>
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                <text>All Night Sunday with the Radio On</text>
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          <element elementId="174">
            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Suzan Shown</text>
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            <name>Interviewee</name>
            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Betsy Shevey</text>
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                <text>Lynn Kearney</text>
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                <text>Kas Self</text>
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                <text>Christine Campbell</text>
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                <text>Peggy Bayer</text>
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                <text>Jo Beth Levy</text>
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                <text>Audio cassette</text>
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          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
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                <text>Access Copy: MP3</text>
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            <name>Duration</name>
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                <text>1:56:17</text>
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          <element elementId="181">
            <name>Music/Sound Used</name>
            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
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                <text>"It's My Way" by Buffy Sainte-Marie</text>
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        <name>Activism</name>
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      <tag tagId="333">
        <name>Femininity and masculinity</name>
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        <name>Feminist theater</name>
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      <tag tagId="43">
        <name>Gender roles</name>
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      <tag tagId="558">
        <name>Law</name>
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      <tag tagId="224">
        <name>Marriage</name>
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        <name>Mental health</name>
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        <name>Performing arts</name>
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        <name>Suicide</name>
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        <name>Theater</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <name>Title</name>
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                  <text>WBAI Radio Programs, circa 1970s</text>
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              <description>An account of the resource</description>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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            <name>Identifier</name>
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                <text>SPW1929</text>
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            <name>Title</name>
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                <text>Disquieting Muses: A Response to the Suicide of Women Artists</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Suzan Shown interviews the cast and creator of the theater show &lt;em&gt;Disquieting Muses: A Response to the Suicides of Women Artists&lt;/em&gt;, which examines suicides among women artists.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Lesbian radio</text>
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                <text>Performance art</text>
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                <text>Patriarchy</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>WBAI radio</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="59414">
                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Pacifica Radio Archives</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Audio Recording; Radio talk shows</text>
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        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
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            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Suzan Shown</text>
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            <name>Interviewee</name>
            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Betsy Shevey</text>
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                <text>Lynn Kearney</text>
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                <text>Kas Self</text>
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                <text>Christine Campbell</text>
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                <text>Peggy Bayer</text>
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              <elementText elementTextId="59413">
                <text>Jo Beth Levy</text>
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          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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              <elementText elementTextId="59417">
                <text>Audio cassette</text>
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            </elementTextContainer>
          </element>
          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59418">
                <text>Access Copy: MP3</text>
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          </element>
          <element elementId="180">
            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
            <elementTextContainer>
              <elementText elementTextId="59419">
                <text>2:05:18</text>
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        <name>Art</name>
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      <tag tagId="191">
        <name>Discrimination</name>
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      <tag tagId="1030">
        <name>Feminist theater</name>
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      <tag tagId="258">
        <name>Mental health</name>
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      <tag tagId="232">
        <name>Performing arts</name>
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      <tag tagId="159">
        <name>Suicide</name>
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      <tag tagId="236">
        <name>Theater</name>
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            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
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                <name>Bit Depth</name>
                <description/>
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                    <text>8</text>
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              <element elementId="75">
                <name>Channels</name>
                <description/>
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                  <elementText elementTextId="32091">
                    <text>3</text>
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              <element elementId="73">
                <name>Height</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="32094">
                    <text>378</text>
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              <element elementId="79">
                <name>IPTC Array</name>
                <description/>
                <elementTextContainer>
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                    <text>a:1:{s:12:"date_created";s:10:"04.06.2013";}</text>
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                <name>IPTC String</name>
                <description/>
                <elementTextContainer>
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                    <text>date_created:04.06.2013
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                <name>Width</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Buffalo Women's Oral History Project, 1978-1990</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="48425">
                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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    <elementSetContainer>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Lesbians--United States--Identity</text>
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              <elementText elementTextId="32746">
                <text>Lesbians--United States--Psychology</text>
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              <elementText elementTextId="32747">
                <text>Lesbian Herstory Archives</text>
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                <text>Lesbian and gay experience</text>
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              <elementText elementTextId="32749">
                <text>Lesbianism</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>DJ discusses the time she went to the hospital and was diagnosed as a homosexual. She remembers that the doctor suggested she try going out with a man to determine the extent of her feelings toward women. She also recalls that the doctor told her she must learn to live with society and to control her emotions in public.</text>
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            <description>An entity primarily responsible for making the resource</description>
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Madeline Davis (Interviewer)</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="32752">
                <text>Lesbian Herstory Archives</text>
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            <description>Date of creation of the resource.</description>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Pratt Institute, School of Information and Library Science, LIS 665 Projects in Digital Archives students</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="32755">
                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; &lt;/a&gt;</text>
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            <description>A related resource</description>
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                <text>Followed by SPW513</text>
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                <text>Kennedy, E. L. &amp; Davis, M. D. (1993). Boots of Leather, Slippers of Gold: The History of a Lesbian Community. New York: Routledge&#13;
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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            <description>The size or duration of the resource.</description>
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            <description>The material or physical carrier of the resource.</description>
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WAV</text>
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            <description>A language of the resource</description>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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                <text>Side A: Dorothy discusses her personal life and how she came to discover that she was a lesbian. She talks about her marriage and separation. She discusses her relationships with women, all of which were long-term. Dorothy talks about her job in engineering as a tool designer and the fact that she performed a man's work for a man's salary. She discusses lesbian social life during the 1930s, 1940s, and 1950s and names several popular bars including Eddy's Tavern, Ralph Martin. She talks about her developing alcoholism and the prominence of this disease among lesbians in general, perhaps as a result of their uncertainty about life. Dorothy also talks about butch and femme roles in lesbianism, stating that she doesn't identify herself with either role despite the fact that the butches identified her as one of them. &#13;
&#13;
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; &lt;/a&gt;</text>
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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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              <text>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://boots.prattsils.org/mp3_files/summer2012/SPW473_dorothy_jane_A.wav.mp3"&gt;Download mp3 file&lt;/a&gt;&lt;/p&gt;</text>
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&#13;
She talks first of weekend activities or leisure activities such as house parties, picnics, and going to bars.  She talks in general about sexual relations, mentioning "daisy chain" sex, and attitudes towards sex and equality in love-making. She talks in general about long-term relationships and breaking up.  She then answers questions and talks at length about her long-term relationship with Harriette, their break up and lasting friendship. She mentions their first car and the business they owned together.  She talks of monogamy. She talks of Harriette's later marriage and other relationships. Dorothy talks of her opinion of bi-sexuality and of Harriette's marriage and relationships.  &#13;
&#13;
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Side B&#13;
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Dorothy discusses how she feels about children and the fact that she never any.  She gives her opinion on two women raising a child, and talks about her friends who are now married to men who raised children. In addition, she continues her thoughts on sexuality and butch-femme roles.&#13;
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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Anat Salomon [producer]&#13;
Sally Sasso [producer]&#13;
Kelly Cogswell [interviewee]&#13;
Marlene Colburn [interviewee]&#13;
Maxine Wolfe [interviewee]</text>
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                    <text>~

---v--July 12, 1995
Dear friend:
As you may know, Beijing, China is the location of the United Nations World Conference
on Women. Within this conference is a Non-Governmental Organization (NGO) Forum,
which will allow activists, grassroots organizers, and non-profit organizations from all over
the world to congregate. There will be an unprecedented exchange of ideas, a creation of
networks, and a concerted effort to influence government policy-making at the "official"
conference. Women who attend the NGO Forum will have access to government
representatives and will be able to directly express their needs on cru"';..J issues including
poverty, education, health and violence against women. DYKE TV -as part of the global
community of women committed to social change-will be in Beijing. Our aim is to record
the proceedings of both conferences particularly as they pertain to issues relevant to
lesbians. This documentation will bring the women and the issues of the conferences to a
wider forum of women unable to go to Beijing. We wi\J produce 6--8 pieces which will be
aired this fall in 61 cities on our weekly show and shown in their entirety at community
screenings.
In preparatory conferences for the UN Conference in Beijing there bas been major debate
over whether or not sexuality should be on the agenda. The Vatican, the Chinese
government, and other right-wing factions have been active opponents to the discussion of
sexuaJity at the conference. In addition, though a large percentage of the women working
within the NGO sector are lesbians or are sympathetic to lesbian issues, many delegates are
tom between their "primary focus" (hunger, land rights, peace strategies in war-tom areas,
etc.) and sexual liberation for all women. DYKE TV's goal is to clarity bow acknowledging
sexual autonomy or orientation could directly impact women's ability to take control of their
own bodies and even their own lives. In other words, in a society where basic human rights
are given only to men, a woman who chooses not to marry faces the threat of receiving
diminished access to education and economic stability, and can be an increased target for
violent attack. We must therefore work globally towards sexual autonomy and freedom of
orientation to ensure the well-being of all women.
While all women who love women may not fall into the culturally specific terms "dyke" or
"lesbian," women who live within homophobic or patriarchal cultures share many
similarities. The NGO Forum will allow women to share their common experiences. Part
of the goal of DYKE TV's Project Beijing is to record personal testimonies from a diverse
representation of lesbians and supporters. We will use these stories, and footage from both
conferences, to report thoroughly on Beijing '95 on 61 public-access cable stations around
the U.S. In addition, we are working with the Institute for Global Communications on an
Internet project which will being images and testimonies of women in Beijing to Internet
users throughout the world. And, in order to widen our audience even further, we are
currently collaborating with FIRE (Feminist International Radio Endeavor) to place the
testimonies on short-wave radio.
Other activities DYKE TV will cover at the NGO Forum in Beijing include daily plenary
sessions, working group meetings, networking meetings, and cuJtural events. Part of our

P. O. lox H . Prince Street Station. New York. NY 10012 • Telephone: 212·343-9335 • Fax: 212-343-9337

�focus will be on the Lesbian Tent which will be set up by the International Gay and Lesbian
Human Rights Commission as in international think tank, work area, and marketplace. As
press, we will have access to lobbying efforts of several organizations including Gay
.
People's Health Forum, from South Africa, Arkadija-Lesbian and Gay Lobby, from Serbia,
and the San Francisco Asian Women's Center.
DYKE TV's Beijing Project is part of a global movement to encourage the United Nations
to pay attention to women who envision themselves differently in the world. We need
human rights protections. We don't want to have to go through bureaucratic governmental
red tape every ten years in order to live the fulfilling, strong, creative and safe lives we know
we must live. The Beijing Project is an important step in this direction because it wiJJ
document the connections between all movements so that we can move forward together.
The fight for sexual autonomy is one part of a whole-that whole is all the struggles that
women face. Autonomy of women's sexuality and sexual orientations must be included in
the protective designation of International Human Rights if the women's movement is to
achieve complete victory.
DYKE TV needs your financial help to document and amplify the lesbian presence in
Beijing and the rest of the world. Send what you can. All donations are tax-exempt to the
fullest extent of the law under our 501 (c)(3) not-for-profit incorporation, Sang Froid.
Sang Froid/fbe Be.ijing Project
DYKE TV, attn: Beijing
POBoxSS
Prince Street Station
New York, NY 10012

checks can be made out to:
_ mail to:

If you'd like more information about DYI&lt;E TV or this project, please contact me at 718875-9010, or call the DYKE TV office at 212-343-9335. Thank you in advance for your
support of this vitaJ projecL

Sincerely,
•

I

-~L

_/

.

1

L,;T.~ ~
Beijing Project Coordinator

�</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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Lesbians in mass media&#13;
United Nations&#13;
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China</text>
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                    <text>�fvr

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THE JAMI DAUBER / VIRGIN IA MAYHEW QUINTET

5PtCIAL THANKS TO THE HOST COMMITIEE* !

CHAIR

IRENE SULLIVAN

MINDY BARANSKY. JANET BAUS, CAROLINE CLONE ,
LAURA COTTINGHAM. MARY DORMAN. NANCY GALLAGHER , SHERI HOLDERMAN ,

MAITE: JUNCO , PHYLLIS LUTSKY, KAREN MOULDING, SUSAN MUSKA,
DOROTHY SANDER , VIVIAN SHAPIRO, JOCELYN TAYLOR . JOYCE WARSHOW,
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                    <text>Contact: Phyllis Lutsky

212-343-9335
March 25, 1994
FOR IMMEDIATE RELEASE

DYKE TV EXPANDS OPERATIONS TO 18 CITIES
WlLL REACH OVER 6.S MILLION HOUSEHOLDS
New Yorl. March 25. 1994 - DYKE TV announced today that it will begin airing soon in
San Franci co and seven other cities. This m~s that the trailblazing weekly half-hour cable
tele,·ision program will reach over 6.5 million households in 18 cities - making it the second
most widely distributed gay or lesbian television program in the country.
The announcement was made by Executive Producers Mary Patierno and Linda Chapman at a
press conference in DYKE TV's new downtown Manhattan studio. ·we have experienced
phenomenal growth in only 9-1 /2 months since we started airing in June 1993," said
Patierno, · and we' re getting better and better at what we do.•
Associate Producer Julie Clo.r~ who heads distribution, sai'1 that DYKE 1V will air on San
Francisco's cable channel 53 every Friday at 6 P.M., starting April 1st. It will kick off
within weeks in Ne"' Orleans, Seattle, Chicago, Yellow Springs (Ohio), San Antonio, 2!ld
1 - &amp;-

..n ..
...-..o1"'"¥

(LoWSI
' ·ana) .

Clark said the program is currently cablecast every week in Atlanta, Austin, Cambridge,
Dallas, Denver, Madison (Wisconsin), New York City, Northampton(~.), Philadelphia
and Washington, DC. Twice a month it is carried nationally by "The 90's at Nite" on seven
cable systems.

Executive Producers Chapman and Patierno also unveiled DYKE TV's spring programming.
·it's fresher, funnier, harder hitting, more national in scope,• said Chapman. •viewer
f~ack tells~ that DYKE TV is the smart television that they've been dreaming about,•
qwp~ ~ t e Producer Harriet Hirsbom. Each program mixes news, arts, sports,
gossip, political commentary, health coverage, music videos and more.
U~ming shows~~ include investigative reports on Mississippi's embattled Camp Sister
S~mt and on the killing of a Nebraska lesbian who passed as a man, an exclusive interview
with author Dorothy Allison, portraits of the girls in the Gay Games and up to the minute
c~verage of ~vents leading to the International Dyke March and the Stonewall 25 Celebration
this summer m New York City.

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                    <text>NU~

V:

58 8 B 'Wo y
su ite 504
N e w Yor k , NY
1
0
0
~
2

el : 2 1 2 - 343 - 93 3 5
x : 212 - 3 4 3 - 8337

" the lesbian hut in the global village."
•·•

--Village Voice

05

DYKE TV

Because If We Don't Put Ourselves On The Air
Nobody Else Will
News and Features You Won't See Anywhere Else!
20,000 dykes march through the streets ofWashington...Ocean Springs, Mississippi holds
it first ever gay pride march... Dykes from across the country converge on Tampa when the home
of a lesbian with AIDS is firebombed ... Lesbian rugby players take you up-close and behind-thescen.as ... Lexa's Lesbian Leve Si~ reYeal th2 fa:ue passion cf cr_istals.

These are just a few of the segments that have aired on DYKE TY. Upcoming shows will feature
an interview with writer Dorothy Allison, reports from The Gay Games and Stonewall 25,
n ational anti-gay ballot measures, plus Notes from the Lesbian Herstory Archives, late-breaking
news, the hottest gossip and much more.

This is TV That's Way Overdue...

DYKE TV is the only all-lesbian show of its kind in the history of television. Think about that.
It's 1994. Television is over 50 years old. We've endured decades of TV invisibility, stereotypes,
and distorted news coverage. Our realities, our expressions, our images have been systematically shut out. Because TV has become such a powerful medium, our TV invisibility contributes to
our invisibility in society.

This can change, but only if we work together to make it change.
DYKE TV is already making it change, working as activists and setting up a network that puts
us on the air--across the nation. Dyke cameras are everywhere! Correspondents are in place in

D.enver, New Orleans, Atlanta, Boston, Chicago, London and Moscow. And this is just the begin·
rung-more correspondents are anticipated and many areas are working to get DYKE TV on thei
local cable.
(mon
Denver PBS, Manh~n, Brooklyn, Can'ibrldge, Northampton, Auatln, Dalla, Atlanta, W•hlngton, DC. , Fay.nevHle, AR
nd
a
San Francisco AND COMING SOON TO New Orleana, Yellow Springe. OH. Chicago, Seattle and• tv near you/

�-- page 2--

Grassroots Power and Lesbian 1·a lent Galore!
DYKE TV exists because of volunteers, because scores of lesbians have given enormously of their time and talent.
· DYKE TV is sharpening the edge, expanding the form of TV
programming, committed to reinv en ting television for the
lesbian nation.
Subversive, informative, and entertaining, DYKE TV is a
IIPQ~ ~ - - fluid, exciting process, tapping into r esources and building

the foundation for a responsive and responsible forum for
the entire community. How about some specials, some spinoffs? Hey, how about a DYKE TV Network? The possibilities are endless, but...

WITHOUT YOUR HELP, DYKE TV
WILL BE OFF TIIE AIR SOON!
Fi.,1,r.rl.s are ri.1.n.n.i~g 011.t!
iliiiiioii_ _ _ _ ___.

miiiini~-:..-:..-~-"1-1!1____.

Not surprisingly, DYKE TV has not been the recipient of
large, prestigious grants. If not for the power of the community, DYKE TV would not be on the air in the first place,
and it won't stay on much longer without your help. We can
do it the way we've done so many other things-by a lot of
dykes giving what they can, whether it's a little or a lot.
The medium of television is exploding - information highways, interactive TY, 560 channels of non-stop images. Our
images won't be among them, if we don't put them there. If
we're going to have a ''hut in the global village," we'll have
to build it ourselves, maintain it ourselves, and expand it
ourselves.

Now's the time-the possibilities are too exciting
to let slip away.
Help make it ht1ppen. Give what you can.
Support DYKE TV any way you can.
Please make checks payable to

DYKE TV/ SANG FROID at 588 B'way, Ste. 504 NY NY 10012
Tel:212-343-9335;Fax:212-343-9337

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                    <text>Digital Vld

,

I

'

Macromed1·a o·irector/ Instructor: Jane Pirone

Director was 1nltlally developed for matmg
.
Interactive com•

NEW DIGITAL MEDIA
AT Dvke TV
Internet Courses
Intro to the Internet/In structor: Tina LaPorta
This class will focus In on specif,c women's web projects,
media organizations and how these groups converge A
discussion of email hsts as a communication tool and other
experimental programs, such as video and audio streaming
technologies, will be covered The basics of how to make a
connection onto the internet will be covered m class
6 to 10 peoplt
Ftt: mtmbtrs: $150.00
non· mt mbtrs: $170.00
Wednesday May 13
Wednesday May 20

7pm • 9. 3opm
1pm - 93opm

O.Slgning &amp; Web Page/ Instructor: Audrey Kuenstler
This course 1s an Introduction to the world of web design,
where you'll learn basic HTML, web graphics and other tips
for creating dynamic web pages. There will be an intensive one day workshop. This course requires basic famlhar1ty with the World Wide Web and how to get there, but no
prior knowledge of Web design ,s required. Prior knowl·
edge of Adobe Photoshop 1s helpful.
4 to 6 people
Fff: memlNn:
$140,00
non· mtmlNn:
S16o.oo

Saturday

lune 6

d ·

1nstructo,· eoME lting .on the Media·100/
ary Pa herno
·

puter games but today Director 1s used m the Industry for
creating animation and interactive CD-ROM programs. This
class Is a case study of the computer authoring program
Macromedia Director. You will learn the basic elements of
the program, I e stage, cast and score and discuss animation
techniques and the interactive computer language lingo.
You will view CD·ROM's that have been created with
Director, discuss design elements and learn how certain
effects were created
4 to 6 ptoplt
Ftt: members: Sz75.oo
non-membtrs: h95.oo
Wednesday June ,7
6:30-9:oopm
Friday
June19
6:30-9·oopm
Sunday
lune 21
1oam·5:oopm

Intro to A~er Effects/ Instructor: Lynn Shelton
This class will introduce you to the wonders of a powerful
software that 1s used in the industry for creating special
effects and 2-0 animation for film, video and telev,slon
commercials. You w,11 learn to composite multiple layers,
animate an unlimited number of elements and apply special
effects. After Effects provides the tools you need to affordably create dynamic designs for CD ROM or video. The f,rst
two class meetings will be demonstration and lecture and
tht second two hands·on experience

1pm • 9:30pm
7pm • 9:30pm
10am • 5:00pm
1oam • 5:00pm

10am - 5:00pm

centact: Lucntla Knapp, Director of Ed

Learn the Joy5 0f
co b
non-linear computer editing through a
m 1nat1on of d emonstratlon, instruction and hands-on
e)(ereIses Th'
· ,s course covers each step of the editing
process· digit
ba
.
In
mng, sic edit techniques, graphics key5
g, peclal effects, outputting and media file management.
Prrrwqu/slt1: computer literacy and a basic knowledge
1traditional video editing
4 to 6 ptoplt
Ftt: membtrs: $335.00
non·mtmbtrs: $360.00

0

Wednesday
lhursday
Friday
Saturday

May 13
May 14
May 15
May 16

7pm - 9:30pm
7pm • 9·3opm
7pm • 9:30pm
10am - 5.00pm

· Graphic s Courses
Adobe Photoshop Overview/Instructor: o,ane
Bonder
This course will give you a solid foundation m creating,
rrtouchmg and compositing d,g,tal images for prmt. You
will learn how to use the program's tools and advanced
features like channels, masking and layers. In addition,
you will learn how to create titles (In Illustrator) for video.
Come to class with: a proJect ,n mind, i.e. a poster or
postcard to advertise your latest video, two images to
scan and an extra 10 dollars to cover the cost of a service
buftau (Klnko's) for input or output of your d191tal creations. This course will meet three limes, the flrst two wlll
l,t dlfflolstratlons and lectures and the third wlll be broup Into Individual blocks for hands-on experience.
,...
flt : members: Sz15.oo
non·mtmbtn : $325.00
7pm • 9:30pm
7pm • 9:30pm
10am - 5:00pm

�Lynn Shelton

Leam basic camera, lighting, sound, and video editing
produc11on, counter media boredom; create music videos
or experimental narratives; and see your finished pro·
gram a11 on TV Mttt future guemllas, documentar1ans,
animators, storytellers, and st_arsl
Tht video classes are available Tuesday evening or
Sunday aftemoon. Your fin Ished video pro1ects will be
screened for the public at Manhattan Neighborhood
Network (Manhattan's pubhc access television station).
The course fee Is h oo.oo or less (shding scale). Partial
scholarships are also available through the generosity of
the Manhanan Neighborhood Network.
There ,s also a FREE studio workshop being offered the
first three Mondays In May at Manhattan Neighborhood
Network. Students will learn how to technical dtrect, use
a character generator, operate an audio board and set
studio lights. If you are interested in the video or studio
workshops or have any other questions call'

video classes meet:
Tuesdays (7pm· 9·30)
May 5,12,19,26
June 2,9
Sundays (1pm· 3 30)
May 3,10,17,24,31
lune 7
studio classet meet:
Mondays (6:30·9:3opm)
May 4,11,18

The studio class will make a televls1on p,ogram on a
Monday evening 1n 1une (TBA).

~J&lt;FNEWll1111
W
MEIII

w

11111111

1s a freelance photographer and graphic designer with a
Masters degree from Rutgers University. She teaches com·
puter graphics at Kean College in New Jersey as well as the
video workshops at DykeTV.

Audrey Kuenstler
has a Master's Degree in Cultural Theory from Carnegie
Mellon University and 1s currently finishing a Master's
degree in Interactive Telecommunications at NYU. She
teaches both media theory and multimedia production at
The New School.

received an MFA in Photography and Rel d
the School of Visual Aris and is an I d ated Media from
..
d
" epen ent video
ma ..er an non·hnear video editor H I
Sesame Street USI C
er c 1ents include

,
ommunications Croup Wh h
Productions and Reel Ar11sts, among other~ S~~e
teaches multi-media at the The School of V;sual ~rls and
Bard College.

a~:ie

Video In s tructor s
Mari Keiko Conzal11
Is a commercial editor and filmmaker. Her work Is d1stnb·
uted through Framehne and Naata. She has worked on
pro1ects for Sony, Sesame Street, Sheryl Crow, Sony Music
and Pepsi Cola.

Tina LaPorta
,s currently an art,st·in·res,dence w1tn Ars Electronica
Future Lab on the World Wide Web. Her work is also included in the d1gltal studies exhibition on the Alt·X Web site.
Last year she produced a telev1S1on sertes on Manhattan
Cable Network and her videos have been screened at The
Kitchen, P.S 122, and Art in General. She holds an MfA from
the School of Visual Arts in Computer Art

Lucretia Knapp
combines video, film, photography and computemed
Imagery In her single channel and multl·med1a Installation
work. She has taught film theory, photography and video
art at Ohio State un,vemty and Macromed,a Director at the
University of Michigan. She Is the D11ector of Education and
Programming at Dyke TV

Mary Patierno
is an independent video and f1lmmaker and co-founded
DYKETV in 1993. She 1s a partner of Damas D1g1tal. a non·
linear video production fac,hty ,n Manhattan and teaches
video at the MFA Photography Department at the School of
Visual Arts.

.... Membership 1n1or•1t1on1

lane Pifone
Is the founder of Happy Mana Media, LLC, a small, cutting
edge design flTm located in New York City. Clients include
Memo11al Sloan Kettering Cancer Center, Modem Medta,
and Nickelodeon. Happy Mazza Media also produces the
popular web site Drummerg11I. Jane received a BfA from
the university of Michigan, and has done extensive post·
graduate study in everything from Optical Enginnring to
Film Music. She 1s currently on the faculty of Pratt Institute,
!he New School, and the College of Aeronautics, whtfe she
eaches multlmed1a technology and desl9n.

Members receive a discount on the
Digital Media Workshops
$25 basic mmtbershl,rreceive Dyke TV newsletter, notice

of upcoming events, discounts on workshop fees
$5o priority mcm.benhl,rall of above plus special inv1t•·
t1ons to events

$ioo-all of above plus Dyke TV hat
bsc,-all of above plus 8est of Dyke TV tape
Ssoo-all of above plus a listing in the show t1ed1ts as•
sponsor
For More Information Contact:

Lucretia Knapp,
Director of lduca1lon and Programml119
(111) ,~, 9315
Some partial SCholanhipa for 1hl Olgltal Media clams are
available lhlMs to h Norta Star fund.

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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Additionally, Dyke TV had a mission to provide video production training and conducted regular workshops to enable women to tell their stories through their own means. This community oriented attitude fomented widespread contributions about lesbian issues across the United States and abroad.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                    <text>511 B 'W ay&#13;
Suite&#13;
&#13;
604&#13;
&#13;
November, 1994&#13;
&#13;
Dear Lesbian Visibility Supporter:&#13;
Hello!&#13;
&#13;
As DYKE TV proudly completes the production of its&#13;
&#13;
75th show, we'd like to tell you about the exciting growth of this&#13;
media phenomenon, and to keep you abreast of the buzz at the DYKE&#13;
&#13;
TV studio in New York City.&#13;
&#13;
Of course, a big "Thank You" is in&#13;
&#13;
order for your rec ent support of and interest in national lesbian&#13;
television.&#13;
DYKE TV invites you to become a part of the national movement&#13;
for lesbian visibility, by becoming a member of the DYKE TV network&#13;
of grass-roots lesbian television supporters.&#13;
&#13;
Now is the perfect&#13;
&#13;
time to join DYKE TV's membership roster, and join hundreds of&#13;
lesbians around the country who are making DYKE TV happen.&#13;
DYKE TV began in June, 1993, with a vision of grass-roots&#13;
lesbian aedia activism in New York City, and is now an awardwinning national program.&#13;
&#13;
The support of dykes like you has&#13;
&#13;
put DYKE TV on the air in 16 cities across the United States!&#13;
We've grown so fast, but not fast enough to fill the demand for&#13;
&#13;
national lesbian television.&#13;
&#13;
For this, we need your support.&#13;
&#13;
�Despit e t h e e f fo rt s of the Relig i o u s-Ri gh t and mainst ream me d i a&#13;
to control lesbian i mages , DYKE TV h as s ucceeded in mak i n g an&#13;
award- winning weekl y progra m, a s ho w th a t t ran s cends " l e s bi a n&#13;
c hic" .&#13;
&#13;
As we enter our se cond year of product i o n a nd d istribut i o n,&#13;
&#13;
we , re intensifying o u r comm itment t o gra s s - roo t s l es b ian me dia.&#13;
&#13;
We&#13;
&#13;
need you r h elp to d o i t.&#13;
The small staff and voluntee r s o f DYKE TV has b een h ard at&#13;
work over t he past t wo years, d e signi ng the program around the&#13;
needs o f a dive r se l e s b i an commu n ity.&#13;
&#13;
We 're proud that th e show is&#13;
&#13;
fast bec oming an institution for lesbian visibility and me d i a.&#13;
Here are some h i ghl i ghts a nd h a ppenings in th i s product ion yea r :&#13;
The National Ex pansi o n Team is c alling around the U. S . ,&#13;
g ene r at ing inte rest and support for lesbi an telev ision. In c ities&#13;
whe re DYKE TV is on the air, the Team is offering sponsorship to&#13;
l ocal communit y organizations and businesse s - a listing in the n e w&#13;
"Lesbian Friendly" segment o f the weekly show .&#13;
- We' re hosting a Production Meeting on December 7 ( 6: 30 PM. ) ,&#13;
This workshop is one in a series, is open to all lesbians, and is&#13;
a great way to learn how to film and produce segments about your&#13;
local lesbian community.&#13;
It's free, and no prior experienc e is&#13;
needed!&#13;
We're launching&#13;
including Chicago!&#13;
- We've made it&#13;
yearly membership&#13;
for students and&#13;
great for lesbian&#13;
&#13;
four&#13;
&#13;
new&#13;
&#13;
viewing&#13;
&#13;
loc ations&#13;
&#13;
this&#13;
&#13;
quarter ,&#13;
&#13;
easier to Join the DYKE TV team, with two more&#13;
options: The new "Budget Membership " is perfec t&#13;
seniors , and the new "Household Membership" is&#13;
lovebirds!&#13;
&#13;
- The gals on the "Corporate Blitz" Team are pitching corporate&#13;
~~a the opportunity of a lifetime: a chance to really support&#13;
ans by supporting DYKE TV.&#13;
&#13;
TV is increasing awareness at exhibits and screenings al l&#13;
be country.&#13;
&#13;
�For DYKE TV to move, healthfully, into the next phase of&#13;
growth, and to ensure our commitment to grass-roots visibility, we&#13;
need you.&#13;
&#13;
The above projects are just not possible without your&#13;
&#13;
financial support, and a DYKE TV membership expresses your support&#13;
in a very important way.&#13;
&#13;
In fact, we could not have come to this&#13;
&#13;
place without the support of lesbians like you.&#13;
&#13;
We at the studio&#13;
&#13;
believe this is what makes DYKE TV a unique, truly grass-roots,&#13;
media project, not just another "glamour piece".&#13;
The New York Times hailed DYKE TV" . . . its own best&#13;
advertiseme nt'', and the Village Voice called DYKE TV" ... the&#13;
lesbian hut in the global village."&#13;
&#13;
We are committed to presenting&#13;
&#13;
news and features that are not offered on mainstream television,&#13;
and as the Bay Area Reporter writes, programming which is, "&#13;
pro-lesbian, pro-female and thoroughly engaging."&#13;
We hope you join this project now as a member, and become an&#13;
important part of shaping your lesbian "herstory''.&#13;
put the DYKE i n DYKE TV .&#13;
&#13;
TV today.&#13;
&#13;
Thank you,&#13;
&#13;
Only you can&#13;
&#13;
Please use the enclosed form to Join DYKE&#13;
&#13;
�</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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                    <text>AND NOW AWORD FOR OUR SPONSORS.•.

Check out the cool stuff you get
when you support Dyke TV!
Dyke TV newsletter
Dyke TV newsletter and hat
Dyke TV newsletter and Best of Dyke TV tape
Dyke TV newsletter, hat and Best of Dyke TV tape,
plus a listing in the show credits as a sponsor
Name

Addrm

City. Smt. Zip
(m)

Mtphont (dly)
~mail

J ',t;\JJ'f 'f!J Pitu,•HHE !.E.&gt;!.W\d '/JjWJ!.J'I I
ssoo

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sso
m
_ mo _ SlOO

Orhtr

Stnd m, a hsung of Dykt TV mmhandm
_

Send mt info about sponsoring D1kt TV on pubhc mm in my community

_

1want to bt .a strinctr, com1nc local tvtnts for Dyke TV

Stnd mt inlormuion about 111orkshop, ,n NYC
_

\J\ru

Stnd mt mor, ol thtlt b10&lt;hum ro p.au alone

Y.

DTV.....,,&lt;tioo,

10 Bnll,P""''""''""'
Ntw Tork. Nrw York 10012,)S60
Ttl 212/3419HS
f~. 212/341 9137

[,mail dyb1v &lt;ud10n11.com
Wtt»n,: hnp /f,r,,w dyktrv or&amp;

•

air...

�We interrupt your regular program of
homophobic and mreocyped images to bnng real lesbians in all ou
divermy. Whtie the right wing um cable television 10 advance i1
homophobic agenda, Dyke TV counters their messages by putting

ARTISe NRESI
CE
Our mmion is 10 support and
promote the arttstte and activis1
expressions of lesbians through

images of lesbians by lesbians on 1he air.
a variety of media. Our Artist-in-

1J{;{E f / 15 CW.\ iJ!jJiJG !'/.

Residence program provides

We produce a provocative and savvy

access to equipment, fiscal

monthly cable show, mmd by a

sponsorship, and technical and

pioneering network of produms and

admin1stra11ve support 10

activms.

lesbian media makm. Their

Dyke TV h the only lesbian cable access

completed work is broadcast

television ihow that airs na11onwide, and II is produced enttrely by

on our narional television show

volumm- both profm,onals and DTV students.

and some productions, such

We rmive letters, faxes and e-mail from new viewers across the

country, thanking us for putting lesbians on TV. Wruer Joan Nu de

as risk: Lesbians and AJDS. are

Dyke TV provides hands-on inrensive workshops in video and
multi-media production. We teach all aspects of video production
and post-production. We also offer Internet and digital media
workshops that include everything from Basic and Advanced Web
Design, 10 Interactive Computer Programming, Introduction to
the Internet and Non-linear Digital Editing.

distributed individually. Pluse
contact our office for a list of

These workshops help us to fulfill the skyrocketmg demand for

have a place to m and hear themselvu in the mou popular medium

these productions, or if you would

Internet and digttal media skills in the women's and g/1/b/t

of ,1ny cen1ury." for some women living misolation, the show is a
hfeline to other lesbians.

like more informationahollt tM

commun,tieS, and to encourage and facilitate the continu,d

Artist·il-lesicleace procraa.

development 01Dyke TV as a lesbian media arts resource c'"ter.

has praised Dyke-TV for our w •• • cruc,al work of making sure lesbians

�</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Additionally, Dyke TV had a mission to provide video production training and conducted regular workshops to enable women to tell their stories through their own means. This community oriented attitude fomented widespread contributions about lesbian issues across the United States and abroad.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                    <text>l)YKE TV
P.O. Uo.1 88--128 East Broadway--NYC 10002-9998
(2 12) 343-9335,9336 FAX: (2 12) 343-9337
1./10/13

bVKE TVW~NTS Voul

DYKE TV, the trailblazing weekly public access cable
telev,~ion program, wants YOU to Join Its production team
If you a) are creative, b) know how to get things done;
and c) are ready to incite, subvert, organize and provoke
wtth the power of dyke vision and anger. You will be expected
to produce brilliant work for no salary. In exchange, you will
make history and flourish. Positions include:

1. FUND-RAISER You must be a born networker with
contacts in the lesbian/gay community and, at leas1, some
fund-raising experience. You will create a short and long
tenn fund-raising s1rategy and execute it. This is a
phone &amp; schmooze Job, guaranteed to get you Invites to
great parties and tum your social life into a delightful
whirlwind Fee on a commission basis.
2 P R./AUDIENCE DEVELOPMENT: You mus1 be able to write
snappy copy, talk to the press and Imagine and execute
all kinds or ingenious schemes to make every lesbian
citizen watch DYKE TV as If her life depended on it.
You'll be deluged by party invites. That wtll be your
reward.
3. CALENDAR PRODUCER: You will create a 80-90 second
weekly segment-the absolutely best-ever dyke calendar of
events in history. You must know everything or want to
and have an eclectic heart, equally at home in the Cllt
Club and in the Harlem Ballet. Video experience
desirable. If not, have a strong visual sense. Reward:
free tiekets to everything.

4. · 1WAS A LESBIAN CHILO• PRODUCER: You will produce,
every other week, a 90-second segment using old home
movies, videos or photographs, which you will have to
find yourself In lesbian attics, closets and basements
all over the city, the nation and the wortct. Video
experience preferred. Your reward will bl boCh cnatlve
and senUmental.

�</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Additionally, Dyke TV had a mission to provide video production training and conducted regular workshops to enable women to tell their stories through their own means. This community oriented attitude fomented widespread contributions about lesbian issues across the United States and abroad.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                    <text>�ovies
Ml ET RODUCERS DIRECTORS &amp;
dyke ctra a

9-ueer

We e ou
- ·- '
an _ Id?
f o.
, - L: 212-93
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�</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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                    <text>Ph_ IE rn. : _1~

-...i:

9_

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· J

To: lesbian , Bi-sexual and Queer Women of NYC
From: DYKE TV
Date: July&amp;, 1995

K TV wants you to be a part of our THIRD SEASON! He e is
your chanc• .to get involved with DYKE TV! Noexp~rlenced
necassaey, just the love of Women ind televi,Si~n is r 8quir8d t e
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Please come to ~e DYJETV Producer's '91eeting to present JO&amp;II' ideas for the
upcoming season. Join other ,esbian ~roduceri as they discuss what they
want on DYKETV. Find ~u~ how you can become involved!
DYKETV encourages atl dykes
pick up a videooaenara
and Al~'
. ,, . . . . .
.

to

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\

WHERE: The ;O~j &amp;lesbian 'Community Center
208 ~~ 13th.:St;(at 7th Ave.)
WHEN: 'Thursday, July 13, 1995
@,7:00phl
WHY: It's fun! You can meet lotsa cute girls! A chance to be on t.v .! A way to
change the world! We cover dykes like no one else can!

Call Joanne at 212.343.9335 for more information.

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PHONr ll l./s 4 j q 3 35 rAX 21 2/ ] 4 "! YsJ7

TV, f&gt;. 0.

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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Additionally, Dyke TV had a mission to provide video production training and conducted regular workshops to enable women to tell their stories through their own means. This community oriented attitude fomented widespread contributions about lesbian issues across the United States and abroad.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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Lesbian community&#13;
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Lesbianism on television</text>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank"&gt;See the LHA Copyright Statement &lt;/a&gt;</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>(Side A) Victoria Brownworth opens this episode of &lt;em&gt;Amazon Country&lt;/em&gt; by announcing that an &lt;em&gt;Amazon Country&lt;/em&gt; employee lost her house, belongings and pets to a fire, so they're starting a collection for her through the Women's Cultural Trust. Various other announcements regard upcoming events, a lesbian support group, and the council elections at the Gay Community Center.&lt;br /&gt;&lt;br /&gt;Roberta Hacker interviews Linda Norwood and Sherrie Cohen of 'Dyketactics!' to discuss their lawsuit against the police, the first time in history that lesbians have sued the police for brutality, excessive force, and harrassment. This lawsuit regards police action on December 4, 1975, when 'Dyketactics!' (and other groups) attended a (Philadelphia) city council meeting to help urge passing of the "Gay Rights Bill" by the committee. Philadelphia's Civil Defense Squad immediately approached and used excessive force against the women, prompting 'Dyketactics!' to file a lawsuit against the City of Philadelphia for lesbophobic police brutality. Linda and Sherrie encourage women to attend the trial in order to support them. They also ask for feedback so that they can better represent and stand up for the lesbian community. When Victoria asks what they hope to get out of the trial, 'Dyketactics!' dsecribes their hopes to raise consciousness around the need for gay rights.&lt;br /&gt;&lt;br /&gt;(Side B) Linda and Sherrie discuss the positive reception they've had regarding the trial, and announce that there will be a community meeting hosted by 'Dyketactics!' to discuss the disbursement of the (potential) compensation from the lawsuit into the lesbian community.</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Jade+Martner"&gt;Jade Martner&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Deb+Mayer"&gt;Deb Mayer&lt;/a&gt;</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Cecelia+Wambach"&gt;Cecelia Wambach&lt;/a&gt;</text>
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                <text>In this oral history conducted by the Rossmoor Lesbian Social Club, EJ Koch discusses  her upbringing and family, her coming out process through her first marriage, the book she is writing with a colleague, and how she arrived at Rossmoor. </text>
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            <description>Information about rights held in and over the resource</description>
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                <text>EJ Koch </text>
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                <text>Bobbi Ausubel</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.</text>
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            <description>The topic of the resource</description>
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                <text>Meeting between AIDS activists, including ACT UP member Maxine Wolfe, and empolyees of the Federal Drug Administration. Also included in the meeting are researchers who studied HIV/AIDS in clinical trials, as well as physicians at various clinics. The purpose for the meeting was to discuss recent activities of the FDA regarding accelerated approval and expanded access to drugs. Also discussed are the influence of corporations and recent scandals. </text>
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                <text>Maxine Wolfe&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                <text>Discussion of domestic relations, and how a woman agrees to certain terms when she gets married. Women do not know what they are agreeing to. They know what it is, but they do not want the details. There is a discussion of how women are programmed to inherently undermine their own thoughts, and to label them as “feelings” as opposed to facts. Further discussion on how gender issues are defined.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowen. Contact the Lesbian Herstory Archive for Liza Cowen’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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&#13;
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                    <text>�African Ancestral Lesbians: Journals, Newsletters, Etc., March, 1977-1993 and undated. March, 1977-1993; n.d. TS
Lesbian Herstory Archives: Subject Files: Part 1: Abortion-Bookstores Folder No.: 00450. Lesbian Herstory
Archives. Archives of Sexuality and Gender, link.gale.com/apps/doc/CVHIFW708896432/AHSI?u=
k12_ahsi&amp;sid=bookmark-AHSI&amp;pg=67. Accessed 12 Mar. 2023.

�</text>
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                <text> First Black Lesbian Conference Letter</text>
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                <text>This recording consists of a collection of songs associated with the Industrial Workers of the World (IWW), an international union founded in 1905 in Chicago, IL. IWW members, commonly referred to as Wobblies, were prominent participants in the radical labor movement in the early 20th Century in the US. They also had ties to the socialist and anarchist movements of the time. While this recording does not include any information on the singers, writers, or dates recorded, most of these songs were written by Joe Hill and likely are sung by Joe Glazer and Bill Friedland. Joe Hill was a famous labor activist and folk singer in the early 1900s, and Joe Glazer and Bill Friedland kept Joe Hill’s music alive throughout the 20th century. Songs 1-13 are likely sung by Joe Glazer and Bill Friedland, song 14 by Holly Near, and song 15 by Charlie Poole. Songs 1-13 were likely recorded in the 1950s. </text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>1. Preacher and the Slave (Pie in the Sky When you Die) &#13;
2. The Commonwealth of Toil                                                                                                                                                                                                                                              3. Down to the Soup Line&#13;
4. Preacher and the Slave (Pie in the Sky When you Die) &#13;
5. Rebel Girl&#13;
6. The Tramp&#13;
7. Dump the Bosses off your Back &#13;
8. There is Power in a Union &#13;
9. Scissor Bill&#13;
10. Working Men Unite&#13;
11. Popular Wobbly &#13;
12. Boom Went the Boom &#13;
13. Hallelujah I’m a Bum &#13;
14. Live recording of I Got Trouble &#13;
15. Moving Day</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowen. Contact the Lesbian Herstory Archive for Liza Cowen’s contact information.</text>
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                  <text>This assortment of digitized tapes from the DOB Video Project includes interviews, musical and comedy performances, and reminiscences from a memorial service. The audio collection also includes a set of recordings of feminist activist Ti Grace Atkinson, which are collected under "DOB Atkinson Tapes."</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Pratt Institute, School of Information and Library Science, LIS 668 Moving Image and Sound Archiving student</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="46929">
                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="46930">
                <text>Digital Format: .MP3&#13;
Physical format: Cassette Tape</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Audio Recording	</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="115">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="46933">
                <text>New York City, N.Y.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="46934">
                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
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        <name>Activism</name>
      </tag>
      <tag tagId="457">
        <name>Daughters of Bilitis</name>
      </tag>
      <tag tagId="189">
        <name>Feminism</name>
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      <tag tagId="472">
        <name>New York</name>
      </tag>
      <tag tagId="231">
        <name>New York City lesbians &amp; gays</name>
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      <tag tagId="398">
        <name>Shirley Willer</name>
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      <tag tagId="1101">
        <name>Womens movement</name>
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    </tagContainer>
  </item>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Assorted Audio Materials, circa 1970s</text>
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              </elementTextContainer>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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    <itemType itemTypeId="5">
      <name>Sound</name>
      <description>A resource whose content is primarily intended to be rendered as audio.</description>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="86">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>From an Old House in Char</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>From an Old House in Char[?]</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57521">
                <text>Live performance of a variety of songs, including covers of "Imagine my Surprise" by Holly Near and "Take it Easy" by the Eagles</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>12/19/76</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="57523">
                <text>PT31M58S</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57524">
                <text>audio/mpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="57525">
                <text>1/4" audio tape</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57740">
                <text>Various song rights holders&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
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      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="203">
        <name>Music</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1388" public="1" featured="0">
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      <file fileId="1983">
        <src>https://www.herstories.prattinfoschool.nyc/omeka/files/original/e45ff5d68abb811fb2ebca26f69ccd21.JPG</src>
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        <src>https://www.herstories.prattinfoschool.nyc/omeka/files/original/05ffe6958271dc169d3e7febb2442e63.mp3</src>
        <authentication>a317c58681fba3e5883e436537d58942</authentication>
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      <file fileId="1985">
        <src>https://www.herstories.prattinfoschool.nyc/omeka/files/original/a224ba44f7c1c7bd4fee223daba9cf2e.mp3</src>
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>WBAI Radio Programs, circa 1970s</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="59666">
                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="5">
      <name>Sound</name>
      <description>A resource whose content is primarily intended to be rendered as audio.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="59319">
                <text>SPW1922</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="59320">
                <text>Gay Community Center</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="59322">
                <text>(Side A) Victoria Brownworth this episode of &lt;em&gt;Amazon Country&lt;/em&gt; with announcements regarding lesbian and feminist groups and organizations. Roberta Hacker interviews Arleen Olshan of the Gay Community Center. Arleen notes that lesbians are underrepresented in decision-making, policy development and program coordination, and the GCC would benefit from more lesbian involvement. They discuss lesbian separatism (especially relating to how few women are involved with the GCC). Arleen announces upcoming events at the GCC including various lectures by authors and activists, as well as consciousness-raising groups and educational classes. (Continues onto side B) Arleen encourages lesbians to check out the center because they "might be surprised" by the level of feminism that exists within the gay male community.&lt;br /&gt;&lt;br /&gt;Includes an ad for the Bicentennial Women's Center.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="59323">
                <text>Lesbian radio</text>
              </elementText>
              <elementText elementTextId="59324">
                <text>Women's music</text>
              </elementText>
              <elementText elementTextId="59325">
                <text>Lesbian separatism</text>
              </elementText>
              <elementText elementTextId="59326">
                <text>Lesbian feminists</text>
              </elementText>
              <elementText elementTextId="59327">
                <text>Lesian liberation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="59328">
                <text>WXPN radio</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="59332">
                <text>WXPN</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="59333">
                <text>Audio Recording; Radio talk shows</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="7">
        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
        <elementContainer>
          <element elementId="169">
            <name>Series Title</name>
            <description>If applicable, the larger series to which the episode or piece contributed.</description>
            <elementTextContainer>
              <elementText elementTextId="59321">
                <text>Amazon Country</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="173">
            <name>Interviewer</name>
            <description>The person(s) conducting the interview. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
            <elementTextContainer>
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                <text>Victoria Brownworth</text>
              </elementText>
              <elementText elementTextId="59330">
                <text>Roberta Hacker</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="172">
            <name>Interviewee</name>
            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
            <elementTextContainer>
              <elementText elementTextId="59331">
                <text>Arleen Olshan</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
            <elementTextContainer>
              <elementText elementTextId="59334">
                <text>Audio cassette</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59335">
                <text>Access Copy: MP3</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="180">
            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
            <elementTextContainer>
              <elementText elementTextId="59336">
                <text>0:57:28</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="181">
            <name>Music/Sound Used</name>
            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
            <elementTextContainer>
              <elementText elementTextId="59337">
                <text>"Free" by Melba Moore</text>
              </elementText>
              <elementText elementTextId="59338">
                <text>"Cherchez la Femme" by Dr. Buzzard's Original Savannah Band</text>
              </elementText>
              <elementText elementTextId="59339">
                <text>"Scotch and Soda" by The Manhattan Transfer</text>
              </elementText>
              <elementText elementTextId="59340">
                <text>"Cry Me A River" by Julie London</text>
              </elementText>
              <elementText elementTextId="59341">
                <text>"Falling In Love Again" by Marlene Dietrich</text>
              </elementText>
              <elementText elementTextId="59342">
                <text>"Song to My Mama" by Meg Christian</text>
              </elementText>
              <elementText elementTextId="59343">
                <text>"Love Is Blind" by Janis Ian</text>
              </elementText>
              <elementText elementTextId="59344">
                <text>"I'm Not In Love" by Dee Dee Sharp</text>
              </elementText>
              <elementText elementTextId="59345">
                <text>"Lean On Me" by Melba Moore</text>
              </elementText>
              <elementText elementTextId="59346">
                <text>"Changing" by Kay Gardner</text>
              </elementText>
              <elementText elementTextId="59347">
                <text>"She Loves Me" by Isis</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="208">
        <name>Activism</name>
      </tag>
      <tag tagId="211">
        <name>Communities</name>
      </tag>
      <tag tagId="189">
        <name>Feminism</name>
      </tag>
      <tag tagId="446">
        <name>Lesbian activists</name>
      </tag>
      <tag tagId="554">
        <name>Lesbian feminism</name>
      </tag>
      <tag tagId="476">
        <name>Lesbian musician</name>
      </tag>
      <tag tagId="590">
        <name>Lesbian separatism</name>
      </tag>
      <tag tagId="424">
        <name>Media</name>
      </tag>
      <tag tagId="203">
        <name>Music</name>
      </tag>
      <tag tagId="611">
        <name>Ti Grace Atkinson</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="747" public="1" featured="0">
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        <src>https://www.herstories.prattinfoschool.nyc/omeka/files/original/90/747/21_LivingWithAids_1.mp4</src>
        <authentication>d2d1fe2ed3b59ed419bceee84609da5a</authentication>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="52352">
                  <text>Women, AIDS, and ACT UP, 1988-1994</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="16">
      <name>Technical Video Recording</name>
      <description>Metadata elements specific to Video Recordings, taken from PBCore and LC-AV (interoperable with METSRights) to supplement Dublin Core.</description>
      <elementContainer>
        <element elementId="159">
          <name>File Size</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="51946">
              <text>.AVI: 6.38 GB, .MP4: 552.6 MB</text>
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          </elementTextContainer>
        </element>
        <element elementId="160">
          <name>Data Rate</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="51947">
              <text>16 bit/32 kHz</text>
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          </elementTextContainer>
        </element>
        <element elementId="161">
          <name>Aspect Ratio</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="51948">
              <text>4:3</text>
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          </elementTextContainer>
        </element>
        <element elementId="162">
          <name>Frame Rate*</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="51949">
              <text>29.97</text>
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          </elementTextContainer>
        </element>
        <element elementId="132">
          <name>Resolution</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="51950">
              <text>.AVI: 720 x 480&#13;
.MP4: 320 x 240</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51929">
                <text>Gay Men's Health Crisis [Living with AIDS], </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51930">
                <text>AIDS (Disease)--Political aspects; United States; AIDS (Disease)--History; AIDS (Disease)--Social aspects--United States; Drugs--Testing; Clinical trials of drugs; Drug trials; AIDS (Disease) in women</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51931">
                <text>Episode of Gay Men's Health Crisis (GMHC) cable show Living with AIDS, covering topics related to women with AIDS.</text>
              </elementText>
              <elementText elementTextId="51932">
                <text>Episode of Gay Men's Health Crisis (GMHC) cable show Living with AIDS, covering topics related to women with AIDS. Begins with clip from CBS special "Aids Hits Home", acknowledging new media coverage of heterosexual women with AIDS because of an inherent threat to middle class. Ruth Rodriguez from the Hispanic AIDS Forum notes that IV drug users comprise 60% of HIV+ women, a social group largely ignored by health professionals. Outreach and AIDS education media should be produced for a range of social groups. References Needle Talk, a series released by the New York Department of Health with physicians and educators discussing IV drug use, sex, and AIDS/HIV transmission.</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51933">
                <text>Jean Carlomusto; Donated by Maxine Wolfe in 1993</text>
              </elementText>
            </elementTextContainer>
          </element>
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                <text>This is a gay rights hearing with speakers arguing both in favor and opposed to the proposed bill. Those in favor urged the council to allow the parliamentary process to move forward so the bill could be debated and voted on. They argued for equality under the law and the importance of respecting the process. Those opposed expressed concerns about the bill extending homosexual rights beyond government employment, potentially affecting private schools and rentals, and equating homosexuality as an acceptable lifestyle. They maintained that homosexuality is not morally or socially equal to heterosexuality. Several speakers share personal life experiences. Eleanor Cooper is featured identifying herself as a spokesperson for Coalition for Lesbian and Gay Rights and a member of Lesbian Feminist Liberation. &#13;
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Harrison Goldin&#13;
Feather Keane&#13;
David Dinkins&#13;
Eleanor Cooper&#13;
Abraham Modowitz&#13;
female doctor&#13;
Gay cop&#13;
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                <text>Contact LHA at dyv.lha@gmail.com</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Additionally, Dyke TV had a mission to provide video production training and conducted regular workshops to enable women to tell their stories through their own means. This community oriented attitude fomented widespread contributions about lesbian issues across the United States and abroad.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Lesbian feminism&#13;
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                <text>This video features comedian Georgia Ragsdale. The video includes clips from an interview and stand up footage from one of Ragsdale’s performances.  She discusses the way she approaches her work and being out as a comedian.  Ragsdale explains that for her, “Being out as a comic isn't a choice, because as a stand up comedian all you have is your worldview, your perspective on life and your life and the people around you, so I don’t see how you have a choice to be in or out if you're a stand up comedian.” She also reminisces about her first hour long show when circumstances forced her to come up with enough material in a very short period of time.&#13;
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Mary Patierno [Executive Producer]&#13;
Ana Maria Simo [Executive Producer]</text>
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                <text>Copyright Dyke TV: Linda Chapman, Mary Patierno, Ana Maria Simo. Tapes and digital files held by the Lesbian Herstory Archives. Tapes reproduced with permission from the copyright holders.</text>
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                <text>GOD IS COMING AND IS SHE PISSED button</text>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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            <description>A language of the resource</description>
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                <text>In this program there is a discussion on the earliest myths on the creation of the universe, and goddess creation myths. There is a discussion of ancient matriarchal culture, and its survival as wicca/witchcraft. It pays homage to women who were hanged under accusations of witchcraft. The goddess is synonymous with gynocracy, and women participate in the divine.</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                    <text>SPRING 1998

ate
•

SCREENING
DTV proudly presents a screening of the award-winning viJeo documentary. The Disappearance
of TiSoeur: Haiti after Duvalier by Board Member Harriel Hirshorn on Tuesday. April 28., al
8:00 pm al Millennium. 66 E. 4th St. in Manhattan. Also being shown: a work in progress by
Kara Lynch, Black Russians. A reception follows with the filmmakers. Call the office for info.

•

S'l'H

ANNIVERSARY PARTY!
FIVE YEARS OF BRTNGl NG LESBIA NS INTO YOUR LIVINGROOM! Join us Wednesday.
June 10th for Barbara Starrett's 50+ birthday party/Dyke TV's 5th Anniversary! Call the offi&lt;:t'
for info or to become a host. It'll be a blast!

•

HOUSEPARTIES!
Watch for a bonanza of houseparlies this Spring &amp; Summer! If you want Lo throw your own benefit for OTV jus t call the office!

DIGITAL

MEDI A

WORKSHOPS

We are offering Digital Media Workshops starting in May. See the enclosed brochure for detail:-.
and caJI the office for more info! Costs are competiti ve and courses include hands-on instruction. We just receivP.d a grant from the North Star Fund th at will help provide some scholarships. particularly for members of progressive lesbian/gay organizations.

VIDEO

WORKSHOPS

The next cyc le of Video Workshops begins in early May. Dyke TV has trai ned hundreds of students in all phas&lt;'S of video production. Many of these students have gone on Lo make their own
independent videos and have produced segments fo r our nationally broadcasted s how.

NEW

CO-DIRECTOR

In January Dyke TV hired Lucretia Knapp as our new Education and Programming Director.
Lu(~retia i:i a multimed ia artist and instructor who moved to New York in August. She manageg
programming. workshops and the Artists-in-Residence program. If you're interested in pro&lt;lu&lt;·ing for the show the next meeting is Tuesd ay, ApriJ 30, 6 :30pm.

GROWING

BOARD

OF

DIRECTORS

Our most recent additions are Ma&gt;.ine Blake. Teresa Cooper. Kori Galloway, Mari Keiko
Gonzalez, and Paula Pressley. At 14 members. our Board is the larges t it's ever been.

•
,.....

8.....

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Channel 70
Channel 34.67
Channel 34
Channel 57

v; e d &amp; Thur:, 10pm
~ -ed. 11:30pm &amp; Thur:-. 3:30pm
Thurs 9:30pm 5/7, 5/21. 6/4, 6/18. 7/2, 7/16
Thur:; 10pm-12am with Free Speech*

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••••• • •• •• •••••••••••• •••

sU\1

LEVELS OF SUPPORT AND
THE COOL STUFF YOU CET

Dyke TV ne" sletter

Dyke TV ne\, sletter and hat

Dyke TV newsletter a nd Best of Dyke TV tape
Dyke TV newsletter, hat and Best of Dyke TV tape, plus
a listing in the show credits as a sponsor
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�</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Additionally, Dyke TV had a mission to provide video production training and conducted regular workshops to enable women to tell their stories through their own means. This community oriented attitude fomented widespread contributions about lesbian issues across the United States and abroad.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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&lt;p&gt;Photo by Morgan Gwenwald&lt;/p&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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                  <text>This collection includes interviews with musicians and record label owners conducted by Ruth Scovill. Scovill is a notable figure of the Women’s Music movement. The Women’s Music movement sought to highlight music about women, by women, and for women, challenging popular notions about and conventional approaches to music. In her piece for “Women’s Culture: The Women's Renaissance of the Seventies”, Scovill reflects, “Women’s Music reflects a consciousness of women-identification. In contrast to popular music’s prevalent degradation of women, Women’s Music holds the feminist and humanist ideals of self-affirmation and mutual support” (17).&#13;
&#13;
Scovill has served as a Senior Advisor of Library Services at the Library of Congress, president at Cinesite, and the Head of Technology at DreamWorks Animation. She is also a director, writer, and host. She holds a particular interest in and focus on feminine and sapphic culture, particularly its positioning in and relation to music culture. </text>
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                <text>Holly Near is interviewed by Ruth Scovill. Holly talks about her early life, and influences that led her to the women's movement. She talks about anti-imperialism, the role of women’s music, and her criticism within the women’s movement, along with influences in art and politics.</text>
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                <text>Ruth Scovill&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Access is reserved by the donor requiring written consent prior to each publication until donor death.</text>
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                <text>1/4 inch audio tape</text>
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              <description>An account of the resource</description>
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                  <text>This assortment of digitized tapes from the DOB Video Project includes interviews, musical and comedy performances, and reminiscences from a memorial service. The audio collection also includes a set of recordings of feminist activist Ti Grace Atkinson, which are collected under "DOB Atkinson Tapes."</text>
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                <text>This tape was recorded November 14th and is a continuation of a previous recording, although the location of this previous recording is unknown. She discusses an accident and an encounter with her sponsor. </text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Pratt Institute, School of Information and Library Science, LIS 668 Moving Image and Sound Archiving students</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
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            <description>The nature or genre of the resource</description>
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                <text>Audio Recording	</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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      <tag tagId="457">
        <name>Daughters of Bilitis</name>
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                <name>Title</name>
                <description>A name given to the resource</description>
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                    <text>Transcript- Spinnboden Talk</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>This collection holds videos that do not fall under specific collections in the digital archive, and are more apart of a LHA video library than part of a larger collection. These include performance, documentaries, and interviews.</text>
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      <description>A non-persistent, time-based occurrence.  Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.</description>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Honoring Lesbian-Queer Archiving: Online-Talk with Joan Nestle</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Lesbian Herstory Archives</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2022-05-03</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>&lt;a href="https://lesbianherstoryarchives.org/"&gt;Lesbian Herstory Archives&lt;/a&gt;</text>
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                <text>&lt;a href="https://spinnboden.de/"&gt;Spinnboden Lesbian Archive&lt;/a&gt;</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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                <text>German</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>&lt;a href="https://homosaurus.org/v3/homoit0000719"&gt;Lesbian archives&lt;/a&gt;</text>
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                <text>&lt;a href="https://homosaurus.org/v3/homoit0001156"&gt;Queer archives&lt;/a&gt;</text>
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                <text>&lt;a href="https://homosaurus.org/v3/homoit0001724"&gt;Lesbian authors&lt;/a&gt;</text>
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                <text>&lt;a href="https://homosaurus.org/v3/homoit0000744"&gt;Lesbian identity&lt;/a&gt;</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A talk with Joan Nestle, co-founder of the Lesbian Herstory Archive, about the history and importance of lesbian archives and queer archives, along with her personal history. The discussion covers many topics in Joan's life and current activities within lesbian archives.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>All rights reserved and credited to Spinnboden Lesbian Archive&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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                <text>&lt;a href="https://www.startnext.com/joannestle"&gt;Begehren und Widerstand: Joan Nestle erstmals auf Deutsch&lt;/a&gt;</text>
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          <element elementId="89">
            <name>Date Available</name>
            <description>Date (often a range) that the resource became or will become available.</description>
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                <text>2024-04-01</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>&lt;a href="https://www.youtube.com/watch?app=desktop&amp;amp;v=GLF35Xij9KQ"&gt;Begehren und Widerstand: Joan Nestle erstmals auf Deutsch&lt;/a&gt;</text>
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            <name>Accrual Method</name>
            <description>The method by which items are added to a collection.</description>
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                <text>Shared by Spinnboden Lesbian Archive</text>
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            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>Online Talk with Joan Nestle - Honoring Lesbian-Queer Archiving</text>
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            <description>A related resource that references, cites, or otherwise points to the described resource.</description>
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                <text>&lt;a href="https://spinnboden.de/angebot/online-talk-with-joan-nestle-honoring-lesbian-queer-archiving/"&gt;Online Talk with Joan Nestle - Honoring Lesbian-Queer Archiving&lt;/a&gt;</text>
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        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
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                <text>&lt;a href="https://www.joannestle.com/"&gt;Joan Nestle&lt;/a&gt;</text>
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            <name>Interviewer</name>
            <description>The person(s) conducting the interview. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>&lt;a href="https://uni-tuebingen.de/fakultaeten/philosophische-fakultaet/fachbereiche/philosophie-rhetorik-medien/institut-fuer-medienwissenschaft/institut/lehrstuehle/lehrstuhl-fuer-transformationen-der-medienkultur/doktorandinnen/franziska-rauchut/"&gt;Franziska Rauchut&lt;/a&gt;</text>
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                <text>Katja Koblitz</text>
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                <text>&lt;a href="https://spinnboden.de/kontakt/"&gt;Lara Ledwa&lt;/a&gt;</text>
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            <name>Notes</name>
            <description>Any other notes or information about the media item, including bibliography/research information, contact information, and legacy metadata.</description>
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                <text>&lt;a href="https://www.startnext.com/joannestle"&gt;Begehren und Widerstand: Joan Nestle erstmals auf Deutsch&lt;/a&gt;</text>
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                <text>&lt;a href="https://www.youtube.com/watch?app=desktop&amp;amp;v=GLF35Xij9KQ"&gt;Begehren und Widerstand: Joan Nestle erstmals auf Deutsch (Video)&lt;/a&gt;</text>
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                <text>&lt;a href="https://spinnboden.de/angebot/online-talk-with-joan-nestle-honoring-lesbian-queer-archiving/"&gt;Event Advertisement&lt;/a&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>I Ain't Gonna Testify</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Emily Hixon introduces the topic of grand jury abuse. Through interviews, testimonies, and conversation, they discuss how grand juries can attack political activists and their organizations. They also examine women’s politicized folk music, as well as trial tactics and strategies. They theorize about the intentions of the FBI, lawyers, legal organizing, and the federal government.</text>
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            <name>Creator</name>
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                <text>Feminist Radio Network</text>
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          <element elementId="47">
            <name>Rights</name>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dyke TV was a groundbreaking public access program founded in 1993 by Mary Patierno, Ana Marie Simo and Linda Chapman. An offshoot of the Lesbian Avengers, the mission of Dyke TV was to incite, provoke, and organize to create tangible change. The program sought to increase lesbian visibility and change people's attitudes towards lesbians, gay rights and women's rights. Dyke TV comprehensively documented a critical time in gay and lesbian history and shared stories important to lesbian communities that were ignored by other media outlets. Dyke TV documented many LGBTQ political actions of the early 1990s including the activities of ACT UP and the Lesbian Avengers. The Dyke TV collection at the Lesbian Herstory Archives consists largely of unedited footage that documents marches and demonstrations in New York City. Other tapes include incomplete episodes and compilations of show segments.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The program first aired in June 1993 on the Manhattan Neighborhood Network public access channel. It started off as a weekly 30-minute program created by a core of producers with help from members of the community. Following a magazine format, each program consisted of various segments such as I Was a Lesbian Child, the Arts, From the Archives, News, and Eyewitness. Areas of interest included lesbian history, daily life, activism, and international LGBTQ issues. The producers aimed to create a well-rounded program that could highlight lesbian life from as many angles as possible. According to one of the program’s co-founders and executive producer, Mary Patierno: “if anybody wanted to do a story we let them do it. We were there to let people voice whatever they wanted to, whatever issues or topics that were of interest to them.” At its peak, Dyke TV was distributed to 78 public access channels throughout the United States.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Additionally, Dyke TV had a mission to provide video production training and conducted regular workshops to enable women to tell their stories through their own means. This community oriented attitude fomented widespread contributions about lesbian issues across the United States and abroad.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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            <name>Identifier</name>
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                <text>Interview with Marge Piercy</text>
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                <text>On this episode of &lt;em&gt;Everywomanspace&lt;/em&gt;, Irene Yarrow interviews poet and author Marge Piercy. Marge discusses her book "Woman on the Edge of Time" and (side B) reads her poems "To Be of Use" and " Living in the Open."</text>
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                <text>Lesbian radio</text>
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                <text>Feminism</text>
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                <text>WBAI radio</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>See the LHA Copyright Statement</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Pacifica Radio Archives</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Audio Recording; Radio talk shows</text>
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        <name>PBCore</name>
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            <name>Series Title</name>
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                <text>Everywomanspace</text>
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            <name>Host</name>
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                <text>Irene Yarrow</text>
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            <name>Interviewee</name>
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                <text>Marge Piercy</text>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>Audio cassette</text>
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            <name>Digital Format</name>
            <description/>
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                <text>Access Copy: MP3</text>
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          <element elementId="180">
            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>0:58:40</text>
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            <name>Music/Sound Used</name>
            <description>Details on music or other sound clips that contributed to the piece. May include title, artist, album, timestamp, producer and record label information.</description>
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                <text>"Sister-Woman-Sister" by Holly Near</text>
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        <name>Publications</name>
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        <name>Writing</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Martha Shelley Audio Recordings, 1972-2020 [bulk 1972-1978]</text>
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                  <text>Martha Shelley (1943 - Present) is best known for her involvement in lesbian feminist activism. After college, Shelley joined the Daughters of Bilitis (DOB) (1955-1995), a lesbian civil and political rights organization, eventually becoming president of the NY chapter. Shelley was one of the early members of the Gay Liberation Front (GLF) which was established immediately after the Stonewall Riots and which advocated for for LGBT and minority rights. Additionally, Shelley wrote for several publications and was an avid advocate for civil rights and the pro-choice movement.&lt;br /&gt;&lt;br /&gt;"Martha Shelley Audio Recordings" comprises recordings believed to be part of the donation from Martha when she donated recordings from her &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/92"&gt;radio program &lt;em&gt;Lesbian Nation&lt;/em&gt;&lt;/a&gt;.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Interview with Martha Shelley, November 7, 2020</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Martha Shelley</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>On November 7th 2020, MSLIS students Julia Rosenzweig, Tiffany Chan, and Sadie Hope-Gund conducted an interview with Martha Shelley on behalf of Pratt Institute School of Information and the Lesbian Herstory Archives. Martha was the producer of the 1970’s radio show Lesbian Nation, the tapes of which have been preserved in digital format on this website. The interview was recorded remotely from Brooklyn and Portland, and the covered topics regarded: her personal history, activism, and work on Lesbian Nation. &#13;
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Julia Rosenzweig, Tiffany Chan, Sadie Hope-Gund , Martha Shelley</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>11/07/2020</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>11/07/2020</text>
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            <name>Access Rights</name>
            <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
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              <elementText elementTextId="59993">
                <text>Contact LHA at dyv.lha@gmail.com</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60285">
                <text>&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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        <name>Martha Shelley</name>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="128">
          <name>Description</name>
          <description>An account of the resource</description>
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            <elementText elementTextId="59782">
              <text>Irene Yarrow in the studio (New York: WBAI Folio August 1977)</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Irene Yarrow (1977)</text>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Assorted Audio Materials, circa 1970s</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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    <itemType itemTypeId="5">
      <name>Sound</name>
      <description>A resource whose content is primarily intended to be rendered as audio.</description>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>Irene Young</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="57434">
                <text>Irene Young Demo Tape</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57435">
                <text>Irene Young music demo tape. Vocals by Stefanie Saldana and Judith Skolnik. Track Listing: 1. The Lie / 2. Sad Song / 3. It's Good to Meet You / 4. Pleasin' Man</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57436">
                <text>8/19/75</text>
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          <element elementId="112">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
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                <text>PT13M23S</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>audio/mpeg</text>
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          </element>
          <element elementId="113">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>1/4" audio tape</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57750">
                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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        <name>Music</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Video Library, 1973-1993</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection holds videos that do not fall under specific collections in the digital archive, and are more apart of a LHA video library than part of a larger collection. These include performance, documentaries, and interviews.</text>
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    <elementSetContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>It Can Be Done: Chicago Women's Graphic Collective</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="58022">
                <text>A video about the relationships and bonds among members of the Women's Graphics Collective. The Collective produced posters addressing the struggles of the women's movement and other political movements, including the United Farm Workers organized a boycott on non-union lettuce and grape farmers.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Women's Graphics Collective, Women's Movement, Feminism</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="58047">
                <text>Shirlee Blumenthal and Barbara Bejna, directors</text>
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              <elementText elementTextId="58048">
                <text>School of Education, University of Wisconsin - Milwaukee, producer</text>
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            <name>Date</name>
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                <text>c. 1973 (date created)</text>
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                <text>11/2023 (date digitized)</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="58051">
                <text>All rights reserved to the Chicago Women's Graphic Collective.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
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                <text>It_Can_Be_Done</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="58053">
                <text>Baked Tape</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="58085">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="7">
        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
        <elementContainer>
          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
            <elementTextContainer>
              <elementText elementTextId="58054">
                <text>1/2 inch videotape</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="180">
            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
            <elementTextContainer>
              <elementText elementTextId="58056">
                <text>0:32:11</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="208">
        <name>Activism</name>
      </tag>
      <tag tagId="189">
        <name>Feminism</name>
      </tag>
      <tag tagId="147">
        <name>Identity</name>
      </tag>
      <tag tagId="221">
        <name>Youth</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
