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                <text>An interview with two women discussing the history of women's peace camps, ecofeminism, and issues of ethnocentricity among non-indigenous activists, particularly among white activists who believe they "know how to do things." Interviewees also discuss restorative land justice and “The Mountain,” a survival camp hosted by Native Americans that teaches indigenous traditions. The video is interrupted by static for the first 16 seconds, as well as from 2:30-6:11 due to the physical condition of the tape.  </text>
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                <text>Footage of a demonstration that took place outside of the main gates of the Seneca Army Depot, in which a group of women wearing white fabric and fake blood wail and rattle the chainlink gate as guards look on. A group of women beat on small paddle drums and hum behind them. &#13;
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                <text>Side A is a radio program on WBAI in New York, hosted by Viv Sutherland, and addresses the serious issue of sexual harassment in the workplace. The show consists of two central interviews: Mary Garvin, a carpenter and member of a union, and Rachel, a legal secretary, who both tell their own stories of being harassed at the workplace. Mary Garvin, a member of United Brotherhood of Carpenters and Joiners of America, Local 1204, describes her own encounters with casual and malicious forms of harassment at work on building sites, such as discriminatory treatment as a minority worker. Rachel describes a hellish experience of attempted sexual attack by her employer, a private attorney, detailing being physically restrained and assaulted in his office. The program also features phone-ins from listeners discussing different issues surrounding sexual harassment, law, and potential responses to such an event––some advocating for violent responses. The discussion touches upon the issue of complexities of building harassment cases, shortcomings in current legal protection, and the need for systemic changes to assist the victims better and prevent workplace harassment. Side B continues with call-ins. It expands on themes from the first half but brings in more emphasis on legal, economic, and cultural barriers to justice. The program ends with a call for systemic change, grassroots activism, and women reclaiming their power in courtrooms, workplaces, and daily interactions.</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>In this oral history conducted by the Rossmoor Lesbian Social Club, Sharon Noteboom discusses growing up on a farm in the Midwest in a religious family, the influence of conservative religion through her life, her coming out process in the late 70s, her involvement with the civil rights movement and various communities in San Francisco, and teaching as an out Lesbian. &#13;
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This collection includes videos created as part of the Daughters of Bilitis Video Project collection. The Daughters of Bilitis (DOB) was a social and activist group founded in 1955. The video project began in 1987 with the purpose of conducting interviews with the DOB founders and former members documenting their critical role in the gay and lesbian liberation and Civil Rights movement. The interviews focus on the formation and impact of the many DOB chapters around the country. Some of the issues discussed are whether the DOB was primarily a social or activist group, attitudes regarding assimilation, and the "theft" of the DOB publication &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Ladder&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Individual interviewees discuss their childhoods, sexual awakenings, personal relationships as well as their first encounters with the DOB and their perspectives on the organization.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Morgan Gwenwald suggested the project, founding DOB member Sara Yager videotaped all the interviews, and founding DOB member Manuela Soares researched and conducted all of the interviews.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The videos gathered here have been digitized from VHS tapes by students at the Pratt Institute’s Library and Information Science Program. This is a comprehensive collection of the interviews gathered for the Daughters of Bilitis Video Project. The original materials are held in off-site storage by the Lesbian Herstory Archives.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Transcriptions of many of the videotaped interviews are available, thanks to Ruth Helmich, Kelly Anderson, Trista Sordillo, Manuela Soares, and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Links to the the individual interviews are at the bottom of the page. Some longer interviews will be collated in subgroups of the collection tree.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For more on the DOB, see:&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Gallo, M. (2007). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Different daughters: A history of the Daughters of Bilitis and the rise of the lesbian civil rights movement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Berkeley, CA: Seal Press.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;i&gt;&lt;span style="font-weight: 400;"&gt;The Journal of Homosexuality&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, “The Purloined Ladder,” Volume 34, Numbers 3/4, 1998.&lt;/span&gt;</text>
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      <name>Oral History</name>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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        <element elementId="138">
          <name>Title</name>
          <description>A name given to the resource</description>
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            <elementText elementTextId="51567">
              <text>Shirley Willer Interview, July 11, 1987</text>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>Shirley Willer talks about becoming aware of her true sexuality, being a lesbian nurse, the DOB, her view on motherhood, and her experience as an activist. </text>
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avi file with DV Codec [digital master]&#13;
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="59759">
              <text>VHS tape</text>
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          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
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          <description>File name of master</description>
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            <description>An account of the resource</description>
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                <text>Shirley Willer talks about becoming aware of her true sexuality, being a lesbian nurse, the DOB, her view on motherhood, and her experience as an activist. On tape 2, she discusses her National Presidency of DOB, the break up of DOB in 1970 and the end of the Ladder in 1972. She also touches on the 1968 convention and her relationship with Marion.</text>
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            <description>An entity primarily responsible for making the resource</description>
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            <name>Publisher</name>
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              <elementText elementTextId="51437">
                <text>‎March ‎13, ‎2015</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Morgan Greenwald [Still Photographer], Sara Yager [videographer]</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51430">
                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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          </element>
          <element elementId="44">
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            <description>A language of the resource</description>
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            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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            <description>The size or duration of the resource.</description>
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            <description>A related resource from which the described resource is derived</description>
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            <name>License</name>
            <description>A legal document giving official permission to do something with the resource.</description>
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              <elementText elementTextId="59753">
                <text>CC BY-NC-ND (Creative Common License)</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="59754">
                <text>LHA Spoken Word Audio Cassette Collection, SPW1311 - SPW1314</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Digital reproduction of video cassette</text>
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            <name>Digital Format</name>
            <description/>
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                <text>VHS</text>
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            <description>Any other notes or information about the media item, including bibliography/research information, contact information, and legacy metadata.</description>
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              <elementText elementTextId="51441">
                <text>Aspect Ratio 4 : 3</text>
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        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
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        <name>Activism</name>
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      <tag tagId="174">
        <name>Coming Out</name>
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      <tag tagId="457">
        <name>Daughters of Bilitis</name>
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      <tag tagId="191">
        <name>Discrimination</name>
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      <tag tagId="271">
        <name>Employment</name>
      </tag>
      <tag tagId="374">
        <name>Health Care</name>
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      <tag tagId="147">
        <name>Identity</name>
      </tag>
      <tag tagId="288">
        <name>Interviews</name>
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      <tag tagId="526">
        <name>Lesbian Identity</name>
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      <tag tagId="160">
        <name>Lesbian Mothers</name>
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      <tag tagId="782">
        <name>Manuela Soares</name>
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      <tag tagId="398">
        <name>Shirley Willer</name>
      </tag>
      <tag tagId="284">
        <name>The Ladder</name>
      </tag>
      <tag tagId="173">
        <name>Work</name>
      </tag>
    </tagContainer>
  </item>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="48462">
                  <text>Audio Recordings, 1971-1988</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="48463">
                  <text>This assortment of digitized tapes from the DOB Video Project includes interviews, musical and comedy performances, and reminiscences from a memorial service. The audio collection also includes a set of recordings of feminist activist Ti Grace Atkinson, which are collected under "DOB Atkinson Tapes."</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
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          <name>Bit Rate/Frequency</name>
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          <element elementId="50">
            <name>Title</name>
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          <element elementId="43">
            <name>Identifier</name>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51104">
                <text>Autobiography, Homosexuality, Coming Out, Women, Men, Discrimination, Women's Political Organizations, Queer Activism</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="51105">
                <text>This is a recording of Shirley Willer talking about her life. She talks about her experience with men, her experience as being labeled a lesbian, coming out to family and friends, how she discovered the existence of homosexual organizations through ONE Magazine, discrimination, the DOB, her initial expectations when first joining the organization, becoming chapter president, duties and achievements as president, conflicts surrounding the DOB, her decision to step down as chapter president, and the dissolution of DOB.&#13;
Marion Glass is recorded as well. She talks about her relationship with women, joining the Mattachine Society, and about DOB’s activist approach. &#13;
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="51106">
                <text>Shirley Willer, Marion Glass</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>Lesbian Herstory Archive</text>
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            <name>Date</name>
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            <elementTextContainer>
              <elementText elementTextId="51108">
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              <elementText elementTextId="51116">
                <text>4/4/2015</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51109">
                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
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              <elementText elementTextId="51110">
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
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            <name>Rights Holder</name>
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            <elementTextContainer>
              <elementText elementTextId="51113">
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            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
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                <text>1.42 GB</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="7">
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        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
        <elementContainer>
          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="51114">
                <text>WAV</text>
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            </elementTextContainer>
          </element>
          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>Audio cassette</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
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        <name>Activism</name>
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      <tag tagId="174">
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      <tag tagId="457">
        <name>Daughters of Bilitis</name>
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                <text>Lesbian Herstory Archives&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Lesbian Herstory Archives</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SidneyAbbott95_2</text>
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          <element elementId="112">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>5 GB</text>
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          <element elementId="97">
            <name>Access Rights</name>
            <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
            <elementTextContainer>
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                <text>Contact LHA at dyv.lha@gmail.com </text>
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        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
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            <name>Digital Format</name>
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        <name>Lesbian Activists</name>
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        <name>Lesbian Community</name>
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        <name>Lesbian Herstory Archives</name>
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      <tag tagId="590">
        <name>Lesbian Separatism</name>
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      <tag tagId="209">
        <name>LGBTQ+ civil rights</name>
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        <name>Sidney Abbott</name>
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              <description>A name given to the resource</description>
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                  <text>WBAI Radio Programs, circa 1970s</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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      <description>A resource whose content is primarily intended to be rendered as audio.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SPW1969A</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Simone de Beauvoir discusses the art of writing</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Recorded in Paris with Studs Terkel, Simone de Beauvoir describes her philosophies of life and writing her memoirs, discussing: her childhood upbringing in Catholic school, dynamics with her parents, artistic influences in her life, the experience of being a woman writer, and wartime.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Lesbian radio</text>
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                <text>Feminist literature</text>
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                <text>Coming of age</text>
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              <elementText elementTextId="59622">
                <text>Women authors</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="59623">
                <text>WFMT radio</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="59626">
                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="59627">
                <text>Studs Terkel Radio Archive and the Chicago History Museum</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="59628">
                <text>Audio Recording; Radio talk shows</text>
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            </elementTextContainer>
          </element>
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        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
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            <name>Interviewer</name>
            <description>The person(s) conducting the interview. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Studs Terkel</text>
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            <name>Interviewee</name>
            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Simone de Beauvoir</text>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
            <elementTextContainer>
              <elementText elementTextId="59629">
                <text>Audio cassette</text>
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            </elementTextContainer>
          </element>
          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59630">
                <text>Access Copy: MP3</text>
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          </element>
          <element elementId="179">
            <name>Digital Location</name>
            <description>An address for a digital media item. Employs an unambiguous reference or identifier for a digital rendition/instantiation of a media item and may include domain, path, filename or html page. This includes URIs for each digital file format created by the Internet Archive (will have multiple values).</description>
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                <text>https://studsterkel.wfmt.com/programs/simone-de-beauvoir-discusses-art-writing</text>
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          <element elementId="180">
            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
            <elementTextContainer>
              <elementText elementTextId="59632">
                <text>0:31:03</text>
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          <element elementId="164">
            <name>Date Created</name>
            <description>The original date that the media item was created. In the case of raw interviews, the date on which the interview was conducted. Format: YYYY-MM-DD</description>
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                <text>1960-05-04</text>
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        <name>Art</name>
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      <tag tagId="216">
        <name>Autobiography</name>
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      <tag tagId="261">
        <name>Catholic School</name>
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      <tag tagId="269">
        <name>Childhood</name>
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      <tag tagId="305">
        <name>Literature</name>
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      <tag tagId="182">
        <name>Parents</name>
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      <tag tagId="580">
        <name>Philosophy</name>
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      <tag tagId="198">
        <name>Writing</name>
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  </item>
  <item itemId="719" public="1" featured="0">
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        <src>https://www.herstories.prattinfoschool.nyc/omeka/files/original/88/719/SlideTitlesforGWA.mp4</src>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="51478">
                  <text>Unreleased Documentary, 1988</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="51479">
                  <text>The Daughters of Bilitis is a previously unreleased documentary created in 1988 by Manuela Soares, Sara Yager and Morgan Gwenwald, with support from the Lesbian Herstory Archives. This film provides a visual and oral history of the Daughters of Bilitis, as told by original members of the group.</text>
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              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="51480">
                  <text> COPYRIGHT: 1988 L.H.E.F., Inc.</text>
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              </elementTextContainer>
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            <element elementId="98">
              <name>License</name>
              <description>A legal document giving official permission to do something with the resource.</description>
              <elementTextContainer>
                <elementText elementTextId="58423">
                  <text>CC BY-NC-ND (Creative Commons License)</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>2:03:01</text>
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        <element elementId="129">
          <name>Digital Format</name>
          <description>State the type of digital format.</description>
          <elementTextContainer>
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              <text>.AVI with DV Codec, Access: .MP4</text>
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          <name>Frame Rate</name>
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              <text>29.97</text>
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        <element elementId="132">
          <name>Resolution</name>
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          <elementTextContainer>
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              <text>.AVI: 720 x 480&#13;
.MP4: 320 x 240</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Slide Titles for GWA</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Slide Titles for GWA</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Images, Media, Documentary Production, Documentary</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51383">
                <text>This is a collection of video clips, photos, and opening/closing credits for a Daughters of Bilities documentary sponsored by the Lesbian Herstory Archives.</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Editors/Producers: Manuela Soares, Sara Yager, Morgan Gwenwald </text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="51385">
                <text>Lesbian Herstory Archive</text>
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          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="51386">
                <text>Morgan Greenwald [Still Photographer], Sara Yager [videographer]</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51387">
                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
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                <text>Image</text>
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            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="51390">
                <text>Lesbian Herstory Archive</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>‎March ‎02, ‎2015 [digitized]</text>
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          <element elementId="112">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>16 bit/32 kHz</text>
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        <name>PBCore</name>
        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
        <elementContainer>
          <element elementId="177">
            <name>Digital Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="51391">
                <text>Preservation Copy: AVI with DV codec</text>
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              <elementText elementTextId="58495">
                <text>Access Copy: MP4</text>
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            </elementTextContainer>
          </element>
          <element elementId="176">
            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
            <elementTextContainer>
              <elementText elementTextId="51392">
                <text>VHS</text>
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          <element elementId="183">
            <name>Notes</name>
            <description>Any other notes or information about the media item, including bibliography/research information, contact information, and legacy metadata.</description>
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                <text>Aspect Ratio 4 : 3</text>
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        <name>Daughters of Bilitis</name>
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        <name>Manuela Soares</name>
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        <name>Morgan Gwenwald</name>
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        <name>Sara Yager</name>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="55621">
                  <text>Radio Free Women, 1972-1974</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="55625">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Bailey"&gt;Mary Bailey&lt;/a&gt;</text>
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                <elementText elementTextId="55626">
                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Mary+Helen+Blum"&gt;Mary Helen Bloom&lt;/a&gt;</text>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                  <text>&lt;strong&gt;Stella Rush&lt;br /&gt;&lt;/strong&gt;Stella Rush was born on April 30, 1925 in Los Angeles, CA. She briefly worked for Firestone Tire and Rubber and was a member of the ACLU. Stella Rush and Helen Sandoz met and fell for each other at a ONE Inc. meeting in Los Angeles in 1957. Del and Phyllis encouraged Sandoz to keep an eye on Rush and make sure she got to the Daughters of Bilitis meetings. Rush started with The Ladder in 1957. She wrote “reports of conferences, seminars and research” for both ONE Magazine and The Ladder. She eventually wrote poetry for The Ladder as well. Stella Rush and Helen Sandoz moved in with each other in 1958. Rush was the Los Angeles Daughters of Bilitis co-founder. When the Los Angeles chapter began, Rush was the first treasurer, a position she held for 6 years. She helped the Daughters of Bilitis connect with organizations ONE and Mattachine. Her final meeting was the convention in Denver in 1968. Rush became very angry when Grier continued sending Sandoz articles and assignments to Sandoz when Sandoz had already quit The Ladder. In 1969, “we had huge fights about that,” she says. “After Denver, we had promised each other that it was our time for ourselves.” That summer they retired from activism. Stella Rush survived Helen Sandoz and lives in Southern California. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Helen Sandoz&lt;/strong&gt; &lt;br /&gt;Helen Sandoz, Stella Rush’s partner, was born on November 2, 1920 in Oregon. After receiving her Bachelor's Degree, she had a supervisory position in department stores in Washington and Oregon. She later became a sign painter because of an accident that would not let her sit for a long time. She discovered the Daughters of Bilitis when she moved to San Francisco. “Sandy” joined the Daughters of Bilitis in 1956, when she also became “Assistant to the Editor” of The Ladder.” When the Daughters of Bilitis received its charter in 1957, Sandy was one of those who signed. She worked for The Ladder and the Daughters of Bilitis for fifteen years, designing covers and reporting on conventions. She became president of the Daughters of Biltis in February 1957. She was also the first president of the Los Angeles Daughters of Bilitis Chapter. She was briefly editor of The Ladder in 1966. She helped Jaffy publicize a study of ‘Attitudes of Mental Health Professionals Toward Homosexuality and Its Treatment’. She wanted nothing to do with NOW, whose goals she applauded, but not their rhetoric. She concentrated on getting rights for both gay men and lesbians. At the end of 1968, she spoke up about supporting “civil rights for all people,” not just homosexuals. “Despite her years of experience in the homophile movement, Sandoz articulated a belief in individual and human rights that crossed generational, racial and sexual lines.” Sandoz died of lung cancer on June 7, 1987 in Anaheim. &lt;br /&gt;&lt;br /&gt;**Gallo, M.M. (2006). Different Daughters—A History of the Daughters of Bilitis and the Rise of the Lesbian Movement. New York: Carroll &amp;amp; Graf Publishers An Imprint of Avalon Publishing Group, Inc. &lt;br /&gt;&lt;br /&gt;Saunders, J.M. Stella Rush a.k.a. Sten Russell (1925- ) online. Rush, S. Helen Sandoz a.k.a. Helen Sanders a.k.a. Ben Cat (1920-1987) online</text>
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                  <text>&lt;strong&gt;Stella Rush&lt;br /&gt;&lt;/strong&gt;Stella Rush was born on April 30, 1925 in Los Angeles, CA. She briefly worked for Firestone Tire and Rubber and was a member of the ACLU. Stella Rush and Helen Sandoz met and fell for each other at a ONE Inc. meeting in Los Angeles in 1957. Del and Phyllis encouraged Sandoz to keep an eye on Rush and make sure she got to the Daughters of Bilitis meetings. Rush started with The Ladder in 1957. She wrote “reports of conferences, seminars and research” for both ONE Magazine and The Ladder. She eventually wrote poetry for The Ladder as well. Stella Rush and Helen Sandoz moved in with each other in 1958. Rush was the Los Angeles Daughters of Bilitis co-founder. When the Los Angeles chapter began, Rush was the first treasurer, a position she held for 6 years. She helped the Daughters of Bilitis connect with organizations ONE and Mattachine. Her final meeting was the convention in Denver in 1968. Rush became very angry when Grier continued sending Sandoz articles and assignments to Sandoz when Sandoz had already quit The Ladder. In 1969, “we had huge fights about that,” she says. “After Denver, we had promised each other that it was our time for ourselves.” That summer they retired from activism. Stella Rush survived Helen Sandoz and lives in Southern California. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Helen Sandoz&lt;/strong&gt; &lt;br /&gt;Helen Sandoz, Stella Rush’s partner, was born on November 2, 1920 in Oregon. After receiving her Bachelor's Degree, she had a supervisory position in department stores in Washington and Oregon. She later became a sign painter because of an accident that would not let her sit for a long time. She discovered the Daughters of Bilitis when she moved to San Francisco. “Sandy” joined the Daughters of Bilitis in 1956, when she also became “Assistant to the Editor” of The Ladder.” When the Daughters of Bilitis received its charter in 1957, Sandy was one of those who signed. She worked for The Ladder and the Daughters of Bilitis for fifteen years, designing covers and reporting on conventions. She became president of the Daughters of Biltis in February 1957. She was also the first president of the Los Angeles Daughters of Bilitis Chapter. She was briefly editor of The Ladder in 1966. She helped Jaffy publicize a study of ‘Attitudes of Mental Health Professionals Toward Homosexuality and Its Treatment’. She wanted nothing to do with NOW, whose goals she applauded, but not their rhetoric. She concentrated on getting rights for both gay men and lesbians. At the end of 1968, she spoke up about supporting “civil rights for all people,” not just homosexuals. “Despite her years of experience in the homophile movement, Sandoz articulated a belief in individual and human rights that crossed generational, racial and sexual lines.” Sandoz died of lung cancer on June 7, 1987 in Anaheim. &lt;br /&gt;&lt;br /&gt;**Gallo, M.M. (2006). Different Daughters—A History of the Daughters of Bilitis and the Rise of the Lesbian Movement. New York: Carroll &amp;amp; Graf Publishers An Imprint of Avalon Publishing Group, Inc. &lt;br /&gt;&lt;br /&gt;Saunders, J.M. Stella Rush a.k.a. Sten Russell (1925- ) online. Rush, S. Helen Sandoz a.k.a. Helen Sanders a.k.a. Ben Cat (1920-1987) online</text>
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                  <text>&lt;strong&gt;Stella Rush&lt;br /&gt;&lt;/strong&gt;Stella Rush was born on April 30, 1925 in Los Angeles, CA. She briefly worked for Firestone Tire and Rubber and was a member of the ACLU. Stella Rush and Helen Sandoz met and fell for each other at a ONE Inc. meeting in Los Angeles in 1957. Del and Phyllis encouraged Sandoz to keep an eye on Rush and make sure she got to the Daughters of Bilitis meetings. Rush started with The Ladder in 1957. She wrote “reports of conferences, seminars and research” for both ONE Magazine and The Ladder. She eventually wrote poetry for The Ladder as well. Stella Rush and Helen Sandoz moved in with each other in 1958. Rush was the Los Angeles Daughters of Bilitis co-founder. When the Los Angeles chapter began, Rush was the first treasurer, a position she held for 6 years. She helped the Daughters of Bilitis connect with organizations ONE and Mattachine. Her final meeting was the convention in Denver in 1968. Rush became very angry when Grier continued sending Sandoz articles and assignments to Sandoz when Sandoz had already quit The Ladder. In 1969, “we had huge fights about that,” she says. “After Denver, we had promised each other that it was our time for ourselves.” That summer they retired from activism. Stella Rush survived Helen Sandoz and lives in Southern California. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Helen Sandoz&lt;/strong&gt; &lt;br /&gt;Helen Sandoz, Stella Rush’s partner, was born on November 2, 1920 in Oregon. After receiving her Bachelor's Degree, she had a supervisory position in department stores in Washington and Oregon. She later became a sign painter because of an accident that would not let her sit for a long time. She discovered the Daughters of Bilitis when she moved to San Francisco. “Sandy” joined the Daughters of Bilitis in 1956, when she also became “Assistant to the Editor” of The Ladder.” When the Daughters of Bilitis received its charter in 1957, Sandy was one of those who signed. She worked for The Ladder and the Daughters of Bilitis for fifteen years, designing covers and reporting on conventions. She became president of the Daughters of Biltis in February 1957. She was also the first president of the Los Angeles Daughters of Bilitis Chapter. She was briefly editor of The Ladder in 1966. She helped Jaffy publicize a study of ‘Attitudes of Mental Health Professionals Toward Homosexuality and Its Treatment’. She wanted nothing to do with NOW, whose goals she applauded, but not their rhetoric. She concentrated on getting rights for both gay men and lesbians. At the end of 1968, she spoke up about supporting “civil rights for all people,” not just homosexuals. “Despite her years of experience in the homophile movement, Sandoz articulated a belief in individual and human rights that crossed generational, racial and sexual lines.” Sandoz died of lung cancer on June 7, 1987 in Anaheim. &lt;br /&gt;&lt;br /&gt;**Gallo, M.M. (2006). Different Daughters—A History of the Daughters of Bilitis and the Rise of the Lesbian Movement. New York: Carroll &amp;amp; Graf Publishers An Imprint of Avalon Publishing Group, Inc. &lt;br /&gt;&lt;br /&gt;Saunders, J.M. Stella Rush a.k.a. Sten Russell (1925- ) online. Rush, S. Helen Sandoz a.k.a. Helen Sanders a.k.a. Ben Cat (1920-1987) online</text>
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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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                <text>Stella describes growing up in a broken home, and having to take on a lot of responsibilities. Explains her curiosity in women as she got older. Later, she discusses how her bisexuality made her feel different than everyone. </text>
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                <text>Interview goes through 27:50 and  the rest of the recording is the community Q&amp;A</text>
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                <text>Lizabeth R. Diamond</text>
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                <text>An educational film strip about lesbian women in which several speak frankly about who they are, as well as their culture and history. Features women discussing their experiences, histories, and perspectives as lesbians, including coming out and living in a homophobic society. Also features discussions with children about their experiences having lesbian parents, as well as with the parents of lesbians. Notable is the discussion of lesbian music, with many songs played throughout.&#13;
&#13;
Video restoration created by digitizing two filmstrips and accompanying cassette tape and assembling through computer video editing program. </text>
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                <text>Colleen Byrnes</text>
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                <text>Jay Doster</text>
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                <text>Maria Flores</text>
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                <text>Linda Gordon</text>
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                <text>Lee Ann Huber</text>
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                <text>Alix Jeffry</text>
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                <text>Bettye Lane</text>
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                <text>Cynthia MacAdam</text>
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                <text>Peggy Mitchell</text>
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                <text>Constance Perenyi</text>
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                <text>Kate Winter</text>
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                <text>Teresa Tull</text>
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                <text>Alix Dobkin</text>
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                <text>Margie Adam</text>
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                <text>Meg Christian</text>
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                <text>Virginia Rubino</text>
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                <text>Gioia Siciliano</text>
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                <text>Judy Mayham</text>
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                <text>Cris Williamson</text>
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                <text>Linda Tillery</text>
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                <text>Linda L. deQuello</text>
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                  <text>&lt;a href="http://herstories.prattinfoschool.nyc/omeka/items/browse?tags=Sally+Piano"&gt;Sally Piano&lt;/a&gt;</text>
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                  <text>This collection includes interviews with musicians and record label owners conducted by Ruth Scovill. Scovill is a notable figure of the Women’s Music movement. The Women’s Music movement sought to highlight music about women, by women, and for women, challenging popular notions about and conventional approaches to music. In her piece for “Women’s Culture: The Women's Renaissance of the Seventies”, Scovill reflects, “Women’s Music reflects a consciousness of women-identification. In contrast to popular music’s prevalent degradation of women, Women’s Music holds the feminist and humanist ideals of self-affirmation and mutual support” (17).&#13;
&#13;
Scovill has served as a Senior Advisor of Library Services at the Library of Congress, president at Cinesite, and the Head of Technology at DreamWorks Animation. She is also a director, writer, and host. She holds a particular interest in and focus on feminine and sapphic culture, particularly its positioning in and relation to music culture. </text>
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                <text>Susan Abod is interviewed by Ruth Scovill. The tape starts in the middle of a conversation. Susan talks about women’s rock music as the antithesis to “cockrock,” or rock music for and by men. She discusses her journey of auditioning and joining bands, and being influences by socialism, feminism, and how she joined a political band of women. (Some audio distortion). She talks about rewriting song lyrics, the concepts of straight-baiting, utopian politics, and differences between women’s music and feminist lyrics in music. Around 49:30 the narrator changes, and the topic changes to the Woman’s Coffee Coven, which later became a production company. This may be the predecessor of Olivia Records.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Ruth Scovill&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>This video, produced by DIVA TV, focuses on the ACT UP action known as Target City Hall when activists demonstrated against access to AIDS drugs and Ed Koch's response to the crisis at the New York City Hall. Footage includes organizing, demonstrations where activists confront the New York Police Department, and activists engaging in civil disobedience by passively resisting the address. There are also interviews with individual activists throughout the video. </text>
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                  <text>Part-ethnography and part-history, &lt;em&gt;Boots of Leather, Slippers of Gold&lt;/em&gt; by Madeline Davis and Elizabeth Kennedy is an intimate history of a lesbian community in Buffalo, New York. It combines the ethnographic method of a rigorous study of a single community’s culture and identity, along with the historian’s urge to analyze the specific forces that shape these communities over time. In terms of primary sources, this historical analysis relied on the Buffalo Women’s Oral History Project. This extensive oral history project began in 1978 and extended through the next 13 years. Interview subjects were working-class lesbian women from Buffalo, New York who described their experiences during the period from the mid-1930s to the early 1960s. &lt;br /&gt;&lt;br /&gt;These recordings of interviews with working-class lesbians are rich with wisdom, insight and emotion. Interviews discuss a wide range of topics including butch/femme roles, gendered sexuality, relationships, family dynamics, the bar scene, religion, realization of homosexuality, coming out, lesbian mothers, oppression, police brutality, race, gay rights movements, women in the military, youth, and identity. They offer dynamic first-person perspectives of the place and time before the emergence of the gay and lesbian liberation movements. From these stories surface the personal struggles and triumphs of the lesbian community during an intensely oppressive time.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;For recordings related to the publication of Boots of Leather, Slippers of Gold, see &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/54"&gt;Boots of Leather, Slippers of Gold: Related Audio Recordings, 1977-1990&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The recordings were donated to the archives by Madeline Davis and Elizabeth Kennedy and were subsequently digitized by students from the Pratt Institute, Projects in Digital Archives class, LIS-665.</text>
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                <text>Terry talks about her experience, coming of age as a woman and specifically as a lesbian; and how she sought comfort first in alcohol and then within the lesbian community. </text>
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                <text>Is Referenced By: Kennedy, E. L. &amp; Davis, M. D. (1993). Boots of Leather, Slippers of Gold: The History of a Lesbian Community. New York: Routledge</text>
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Format=Medium: mp3</text>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>This episode of the Women’s Consciousness Raising Hour, hosted by Diane Trombley, features an interview conducted by Victoria Brownworth with writer and scholar Bertha Harris, Director of Women’s Studies at the City University of New York. Harris discusses her literary influences, the role of writing as personal liberation, and her exploration of lesbian identity and imagination through fiction. She reflects on the lesbian and feminist writers of 1920s Paris, such as Djuna Barnes, Natalie Clifford Barney, and Renée Vivien, emphasizing their impact on women’s literature and the need for broader recognition of their works. The program also features feminist songs highlighting women’s autonomy, labor, and resistance to patriarchy.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="https://herstories.prattinfoschool.nyc/omeka/rights-statement"&gt;See Rights Page&lt;/a&gt;</text>
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                <text>Feminist Radio Network&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>WBAI Radio</text>
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            <description>An entity responsible for making the resource available</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;</text>
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        <description>PBCore is a metadata standard for audiovisual media developed by the public broadcasting community. See http://www.pbcore.org/documentation/</description>
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          <element elementId="174">
            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Rose Jordan</text>
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                <text>Merlin Stone</text>
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                <text> Grace Chanel</text>
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            <name>Title</name>
            <description>The name given to the media item you are cataloging. It is the unique name everyone should use to refer to or search for a particular media item. There are situations in which no proper or given title is available, e.g., photographs or segments harvested from a longer work or program. In these situations a "supplied title" must be invented and used to name the media item. Be considerate of and sensitive to the end user who is attempting to search for your media item.</description>
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            <description>A name given to the resource</description>
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                <text>The Heat Is On Miss Saigon</text>
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                <text>Asian American LGBTQ+ people&#13;
LGBTQ+ demonstrations&#13;
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            <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
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              <elementText elementTextId="60218">
                <text>Contact LHA at dyv.lha@gmail.com</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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                <text>U-matic</text>
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                <text>MP4</text>
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            <name>Duration</name>
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        <name>Racism</name>
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        <name>Sexism</name>
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      <tag tagId="236">
        <name>Theater</name>
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              <description>An account of the resource</description>
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                  <text>This collection holds videos that do not fall under specific collections in the digital archive, and are more apart of a LHA video library than part of a larger collection. These include performance, documentaries, and interviews.</text>
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                <text>&lt;em&gt;&lt;a href="https://youtu.be/o4o0tZPETAc?si=ZBf5ytK50WW7CVs4"&gt;[Description from the Lesbian Avengers]&lt;/a&gt;&lt;br /&gt;The Lesbian Avengers Eat Fire, Too&lt;/em&gt; offers a look at the New York group's first year, from their initial demonstration in front of an elementary school in '92 to the Dyke March in DC, where the Avengers ate fire in front of the White House, cheered on by an enormous crowd.&lt;br /&gt;&lt;br /&gt;The video supplements footage of actions with portraits of real-life Avengers still giddy with their first experiences of taking to the streets as out dykes, as well as interviews with puzzled tourists trying to answer the question, "Who are the Lesbian Avengers?"&lt;br /&gt;&lt;br /&gt;Edited by two Avengers, videomaker Janet Baus, and experimental filmmaker, Su Friedrich, the video was a group effort, with a number of Avengers contributing.&lt;br /&gt;--------&lt;br /&gt;&lt;span&gt;The Lesbian Avenger employed fire eating as an act of protest as a response to arson attacks against gays and lesbians who had been killed by Molotov cocktails thrown into their homes. &lt;/span&gt;</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>02/2024 (date digitized)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Lesbian Herstory Educational Foundation, Inc.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>The_Lesbian_Avengers_Eat_Fire_Too</text>
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            <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
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                <text>Researchers may take photographs or make photocopies of this material for personal use instead of note taking. Researches may NOT copy digital files, including video.</text>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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            <name>Duration</name>
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                <text>00:55:30</text>
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              <name>Title</name>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>The Lesbian in Literature - Episode 3 of 4</text>
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            <description>An account of the resource</description>
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                <text>This tape contains the third panel from the Gay Academic Union Conference at NYU, the "Lesbian in Literature" Panel. Panelists are Janet Cooper, speaking on female crushes and friendships in children's literature, and Cynthia Secor, speaking about Gertrude Stein and James Joyce. The moderator was Virginia Caputo.&lt;br /&gt;&lt;br /&gt;Janet describes that the first room in a library targeted specifically for children was in the Pratt Library in Brooklyn in 1895. The librarian Anne Carole Moore worked there, and would become a very influential children's librarian. She speaks on the monopoly of children's literature in publishing and book awards, with Anne Carole Moore at the center due to her connections with other powerful librarians. Since Anne Carole Moore's appointment, child friendships and friend crushes in literature have disappeared. The removal of content in library books where children physically touched each other, Janet says, was a direct result of the fear of lesbianism.&lt;br /&gt;&lt;br /&gt;Cynthia Secor speaks about Gertrude Stein and James Joyce. She asserts that Stein is an oft-overlooked figure in literature. Gertrude Stein was a sort of hidden figure, while James Joyce was taught everywhere. Stein was read by many lesbian women, but Cynthia did not read Stein until she joined the lesbian community. Cynthia reads a passage by Stein, "Cow come out...", discusses Stein's novella, Q.E.D., and her "Patriarchal Poetry" essay.</text>
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                <text>Lesbian children's literature</text>
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                <text>Lesbophobia</text>
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                <text>KPFK radio</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="59609">
                <text>See the LHA Copyright Statement</text>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Pacifica Radio Archives</text>
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                <text>Gay Academic Union Conference (1974)</text>
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                <text>Virginia Caputo</text>
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                <text>Janet Cooper</text>
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                <text>Cynthia Secor</text>
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                <text>Audio cassette</text>
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          <element elementId="177">
            <name>Digital Format</name>
            <description/>
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                <text>Access Copy: MP3</text>
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            <name>Duration</name>
            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>1:27:25</text>
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            <name>Date Broadcast</name>
            <description>The date on which the audio was originally broadcast. Format: YYYY-MM-DD</description>
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                <text>1975-07-29</text>
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        <name>Childhood</name>
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        <name>Conferences</name>
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      <tag tagId="191">
        <name>Discrimination</name>
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      <tag tagId="551">
        <name>Lesbian Authors</name>
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      <tag tagId="328">
        <name>Lesbian Literature</name>
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      <tag tagId="331">
        <name>Lesbian Writers</name>
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      <tag tagId="521">
        <name>Lesbian Youth</name>
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      <tag tagId="244">
        <name>Libraries</name>
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      <tag tagId="305">
        <name>Literature</name>
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      <tag tagId="480">
        <name>Sexism</name>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>The Lesbian in Literature Program Listing (Los Angelos: KPFK Folio July 1975)</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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                <text>SPW1885</text>
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                <text>The Lesbian Show - Kwanza</text>
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                <text>Kwanzaa</text>
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            <description>An account of the resource</description>
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                <text>Recordings of a group discussion around the 7 principles of Kwanzaa, particularly in regards to community and faith, interspersed with singing of Kwanzaa songs.</text>
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                <text>Donna Allegra</text>
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                <text>WBAI Radio</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>WBAI Radio</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60378">
                <text>&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;</text>
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            <name>Host</name>
            <description>If applicable, the person hosting the broadcast piece. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Donna Allegra</text>
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            <description>The person(s) being interviewed. (For personal names use "LastName, FirstName MiddleName, Suffix").</description>
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                <text>Salsa Soul Sisters</text>
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        <name>Racism</name>
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        <name>Segregation</name>
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                <name>Channels</name>
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                  <text>Audre Lorde (February 18, 1934 – November 17, 1992) was a celebrated and influential Caribbean-American poet, novelist, autobiographer, and publisher whose art and life explored  issues of race, class, sexuality, gender, and illness.&#13;
&#13;
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Personal or the Political - I / Conference on Feminist Theory, September 29, 1979</text>
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            <description>The topic of the resource</description>
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                <text>African American feminists [sh2004002861] African American lesbians [sh85001859] Lesbianism [sh85076157] Feminism [sh85047741]</text>
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            <description>An account of the resource</description>
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                <text>In addition to Audre Lorde, Linda Gordon, Manuela Prairie, Jessica Benjamin, Bonnie Johnston, Camille Bristow, and Susan McHenry participated in the panel. The recording includes a question and answer session between panelists and audience members. The topics discussed include racism, feminism, class oppression, individualism, sexuality, community, and sisterhood.</text>
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                <text>Side A (mp3) http://herstory.prattsils.org/mp3_files/spw1155_A.mp3 Side A (wav) http://herstory.prattsils.org/wav_files/spw1155_A.wav</text>
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                <text>Side B (mp3) http://herstory.prattsils.org/mp3_files/spw1155_B.mp3 Side B (wav) http://herstory.prattsils.org/wav_files/spw1155_B.wav</text>
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                <text>September 29 1979</text>
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                <text>Digitized 2011, June</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27534">
                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;</text>
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            <description>A related resource</description>
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                <text>Tape 1 of 2.</text>
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            <description>The material or physical carrier of the resource.</description>
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                <text>Digital reproduction of audio cassette.</text>
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            <description>A language of the resource</description>
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            <description>The nature or genre of the resource</description>
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            <description>Temporal characteristics of the resource.</description>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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        <name>Feminism</name>
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      <tag tagId="147">
        <name>Identity</name>
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      <tag tagId="836">
        <name>Linda Gordon</name>
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      <tag tagId="28">
        <name>Racism</name>
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      <tag tagId="176">
        <name>Sexuality</name>
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&#13;
The cassettes in this collection were deposited at the LHA by various donors. They document various public events including the 1979 National March on Washington for Gay and Lesbian Rights, a 1982 poetry reading, and writing conferences in the late 1970s and early 1980s.&#13;
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                <text>The Personal or the Political - II / Conference on Feminist Theory, 1979 </text>
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          <element elementId="49">
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Audre Lorde continues her presentation as part of “The Personal and the Political” panel held at the Second Sex Conference on September 29, 1979. Audience members pose questions and make comments regarding the intersections between race, class, sexual orientation, and gender and feminism in response to Audre Lorde’s speech, “The Master’s Tools Will Never Dismantle the Master’s House”, from SPW1155.</text>
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                <text>Audre Lorde</text>
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            </elementTextContainer>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>Side A (mp3) http://herstory.prattsils.org/mp3_files/spw1156_A.mp3  Side A (wav) http://herstory.prattsils.org/wav_files/spw1156_A.wav</text>
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                <text>Side B (mp3) http://herstory.prattsils.org/mp3_files/spw1156_B.mp3 Side B (wav) http://herstory.prattsils.org/wav_files/spw1159_B.wav</text>
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            </elementTextContainer>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>Second Sex Conference</text>
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            <description>Date of creation of the resource.</description>
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            <description>Date on which the resource was changed.</description>
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                <text>Digitized: June 2011</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
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                <text>Preceded by SPW1155.</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Original = Cassette Tape</text>
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                <text>WAV</text>
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                <text>MP3</text>
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            <description>The size or duration of the resource.</description>
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            <description>A language of the resource</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
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                <text>New York University, New York, NY</text>
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          <element elementId="116">
            <name>Temporal Coverage</name>
            <description>Temporal characteristics of the resource.</description>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Lesbian Herstory Archives, Contact Designation: Maxine Wolfe, Contact Address: 484 14th Street, Brooklyn, NY 11215, Phone Number: 718-768-3953</text>
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        <name>Audre Lorde</name>
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        <name>Feminism</name>
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    <elementSetContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The Real Live Lesbian Show</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>via WBAI Folio 1977</text>
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          <element elementId="50">
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                <text>The Uses of Anger - Audre Lorde</text>
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                  <text>These radio programs were recorded onto compact audio cassettes by an unknown individual (or individuals) who documented over a hundred different broadcasts from WBAI public radio. The tapes may have been dubbed from the open reel tape masters before the masters were moved to the Pacifica Radio Archives. The audio cassettes were eventually donated to the Lesbian Herstory Archives. The cassettes were digitized by students at the Pratt Institute’s Library and Information Science Program in 2024-2025.&lt;br /&gt;&lt;br /&gt;The tapes contain programs that are specific to feminism and lesbian communities, including&lt;span&gt; panels, workshops and interviews featuring feminist writers, artists, poets and other cultural producers that were broadcasted via the radio. Radio programs include Amazon Country, Everywomanspace, The Lesbian Show, and Women's Consciousness Raising Hour, among others.&lt;br /&gt;&lt;br /&gt;Find out more about the context of the collection here: &lt;a href="https://herstories.prattinfoschool.nyc/omeka/exhibits/show/feminist-programming/wbai-about"&gt;WBAI Women's Department and Feminist Programming&lt;/a&gt; &lt;/span&gt;</text>
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            <description>A name given to the resource</description>
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                <text>The Varied Voices of Black Women</text>
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            <description>An account of the resource</description>
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                <text>Donna Allegra hosts members of &lt;em&gt;The Varied Voices of Black Women&lt;/em&gt;, a touring poetry and music production, on &lt;em&gt;The Lesbian Show&lt;/em&gt;. Guests include poet Pat Parker, singer and percussionist Linda Tillery, pianist Mary Watkins and Gwen Avery.</text>
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                <text>Women's music</text>
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            <name>Publisher</name>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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            <description>The nature or genre of the resource</description>
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                <text>The Lesbian Show</text>
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                <text>Gwen Avery</text>
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                <text>Pat Parker</text>
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            <name>Physical Format</name>
            <description>The format of a particular version or rendition of a media item as it exists in an actual physical form that occupies physical space (e.g., a tape on a shelf), rather than as a digital file residing on a server or hard drive.</description>
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            <description/>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Contact LHA at &lt;/span&gt;&lt;a href="mailto:dyv.lha@gmail.com"&gt;&lt;span style="font-weight: 400;"&gt;dyv.lha@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                <text>Ti-Grace Atkinson, Theories of Logic (Tape 3)</text>
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                <text>In part 3 of the recording of Ti-Grace Atkinson, she continues her discussion on the elements of logic. In Part 3, she further discusses different social movements and their analysis of their own oppression.</text>
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            <name>Identifier</name>
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                <text>March 30, 1971 </text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <name>Physical Format</name>
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                <text>1/4 inch audio tape</text>
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            <name>Digital Format</name>
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                <text>WAV</text>
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            <description>An address for a physical media item. For an organization or producer acting as caretaker of a media resource, this field may contain information about a specific shelf location for an item, including an organization's name, departmental name, shelf ID and contact information.</description>
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                <text>Lesbian Hestory Archives&#13;
&#13;
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            <description>Provides a timestamp for the overall length or duration of the audio. Represents the playback time. Format: HH:MM:SS</description>
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                <text>00:30:15</text>
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        <name>Second Wave Feminism</name>
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        <name>Ti Grace Atkinson</name>
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        <name>Women's Liberation Movement</name>
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                <text>Timeless Teachings of Tarot</text>
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                <text>John Cox introduces a radio show on KCRW in which psychic Tamara Hearsay [sp?] gives an astrological forecast for Aries and answers letters from the audience.</text>
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                <text>1/4" audio tape</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="57745">
                <text>KCRW&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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        <name>Spirituality</name>
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                  <text>Tiny Davis Interview, 1988</text>
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                  <text>Lesbian jazz musician Tiny Davis in her later years</text>
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                  <text>Lisa Cowan</text>
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              <name>Medium</name>
              <description>The material or physical carrier of the resource.</description>
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                  <text>16mm motion picture film</text>
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                  <text>N/A</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Ernestine "Tiny" Davis was a prolific Black lesbian jazz trumpeter and vocalist. Born in 1909 in Memphis, Tennessee, she was the youngest of seven children. She married young and had 3 children. Her start as a musician was with the all-women, racially integrated International Sweethearts of Rhythm band which was formed at her local school but soon toured nationally. She played alongside her partner, Ruby Lucas, in a subsequent band, the Hell Divers. She and her partner owned Tiny and Ruby's Gay Spot in Chicago during the 1950s and stayed together until her death in 1994. A 1988 documentary entitled &lt;em&gt;Tiny &amp;amp; Ruby: Hell Divin' Women&lt;/em&gt; was made as a tribute to the couple. Davis was also the subject of the 1986 documentary &lt;em&gt;International Sweethearts of Rhythm: America's Hottest All-Girl Band&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;Source:&lt;a href="https://jazzwomenarchives.wordpress.com/2019/01/16/tiny-davis/"&gt;Jazz Women's Archives&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Tiny Davis Interview</text>
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                <text>A portion of the 1988 documentary entitled "Tiny &amp; Ruby: Hell Divin' Women",  which was made by Jezebel Productions as a tribute to Tiny Davis and Ruby Lucas.&#13;
&#13;
In the documentary Tiny talks about how she started playing the trumpet, moving to Kansas City and getting involved in the music scene. She travelled and played with the Harlem Play Girls and then the Sweethearts. Tiny and Ruby talk about how they met and the after hours spots in Kansas City where women could be with women. They talk about how they left Kansas City and the formation of Tiny Davis Hell Divers. Tiny says she is ready to keep working and playing even at 76 years old. Also featured in the clip is Tiny’s daughter who talks about how she enjoyed playing music with her mother for 10 or 15 years. She says there wasn’t any song requested they couldn’t play. &#13;
&#13;
Note: This portion contains no audio but contains Tiny and her daughter.</text>
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            <description>The material or physical carrier of the resource.</description>
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                <text>16mm film</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan's contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This assortment of digitized tapes from the DOB Video Project includes interviews, musical and comedy performances, and reminiscences from a memorial service. The audio collection also includes a set of recordings of feminist activist Ti Grace Atkinson, which are collected under "DOB Atkinson Tapes."</text>
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                <text>To Morgan Gwenwald from Stella Rush June 19, 1987, Side A</text>
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            <description>The topic of the resource</description>
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                <text>Travel</text>
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                <text>Los Angeles (Calif.)</text>
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            <description>An account of the resource</description>
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                <text>Stella Rush records her thoughts while on a road trip and talks about a car accident she had in the past and what it was like to travel through Central City, L.A.</text>
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                <text>Lesbian Herstory Archive</text>
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                <text>6-19-1987</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Pratt Institute</text>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="45530">
                <text>&lt;a href="/omeka/rights-statement" target="_blank" rel="noopener"&gt; See the LHA Copyright Statement &lt;/a&gt;&#13;
&lt;p&gt;Licensed under CC BY-NC-ND&lt;/p&gt;</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Physical: Audio Cassette&#13;
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                <text>00:55:20 (Skips at 00:46:23)</text>
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                <text>Stella Rush records a live standup performance of a western comedian. She is continuing her “letter” to Morgan at home. She talks of various things: cartoons, her cat, her grandmother Elizabeth “Lizzie” Dietrich, how she was named Stella, wonders what may happen to the recording, her personalities John and Elizabeth, her parents, Del and Phil, and offers words of advice. Throughout the recording she coughs due to asthma. The recording is suddenly cut off at the end.</text>
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                  <text>Included in this collection are clips from radio shows including South Carolina Educational Radio Network, Radio Free People, KCRW-FM, and RCC. There are also clips of live music and poetry performances, as well as political discussions. These materials were likely donated by &lt;a href="http://herstories.prattinfoschool.nyc/omeka/collections/show/105"&gt;Liza Cowan&lt;/a&gt;.</text>
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                <text>7/19/74</text>
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                <text>Not to be used for publication without the express written consent of Liza Cowan. Contact the Lesbian Herstory Archive for Liza Cowan’s contact information.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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                <text>In this oral history conducted by the Rossmoor Lesbian Social Club,  Victoria Rue discusses growing up Catholic and her time in Catholic School and in the Convent for a short time. She talks about her first sexual encounter with a woman, living LA and then moving to New York City in 1977 to work in theater. Vitoria discusses getting a Master's of Divinity at Columbia and then a PHD in Berkley, CA and her focus on religion and the arts and exploring her identity as a Christian and a Lesbian. She talks about theater as activism, her involvement in the Women's Music Movement, and her relationship with her partner. She speaks about her relationship to both her family and her partners family. </text>
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                <text>Please see the Lesbian Herstory Archive's Rights Statement and the donor agreement form.&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Licensed under CC BY-NC-ND&lt;/span&gt;&lt;/a&gt;</text>
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